A Quote by Christopher Lloyd

There's something overwhelming about being in raw nature. It's got an aura about it is that is really kind of majestic and spiritual. — © Christopher Lloyd
There's something overwhelming about being in raw nature. It's got an aura about it is that is really kind of majestic and spiritual.
I've seen the majestic beauty of nature and the overwhelming perfection of it. To me, there's nothing closer to God than that.
Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
People mistakenly think that art is about nature, or about an artists feelings about nature. It is instead a path of enlightenment and pleasure, one of many paths, where nature and the artists feelings are merely raw material.
Ive seen the majestic beauty of nature and the overwhelming perfection of it. To me, theres nothing closer to God than that.
There's an overwhelming sense of paranoia in the suburbs. People there seem so much more paranoid to me than people in the city about their kids being kidnapped or their parties being raided or their drinks being spiked. There's a kind of hysteria about that.
I love a great melody and wonderful lyrics that speak from the heart, and my music has that and speaks about it; but there's just something that was really raw and energetic about the early House music. It's hard to describe. It's like you had to go to these parties where the stuff was being played on these huge sound systems to really feel it.
Walter Benjamin talks about art losing its original "aura" in an age of mechanical reproduction. In writing memoir, we're taking something that happened in a particular moment and meant something at that time, and we're trying to capture it to mass reproduce it for readers. So of course something is lost. And when we edit that material, we're getting even further from that aura, but toward something else that is potentially vital.
Criticism does demand a certain kind of authority, but what about the authority of not really being sure what you think? What about the authority, the authenticity that comes from bringing all your intellectual, emotional and spiritual equipment to a piece of art or entertainment whilst still being uncertain and confused?
The thing is that, not only do you learn so much about being in front of a camera and stuff being on 'Monday Night RAW,' but at the same time, I'm not really acting on 'Monday Night RAW.'
There is a special aura about artists who take their visions to the highest pinnacles of success ... I get very excited about the magnitude of the aura I see, when Alan performs.
Suddenly I've got an overwhelming desire to surround myself with the aura of classical and Romantic art.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
I'm really schizophrenic about that, because on the one hand I would say, yes there is, there's something inherently, even violent about it, it's wild and raw and all this.
I started classes and it wasn't because I was like, 'I want to be an actor!' - I was really interested in the theory of what acting can be and what it's about. It's all about living in the moment and kind of being present, which is something that at that time in my life I really wanted to explore.
I didn't really think too much about being any kind of pioneer. The truth is, I actually kind of caught onto a couple of really great coat tails in my career. The things were already moving when I got involved in both cases, really - Poco and the Eagles.
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