A Quote by Christopher Lloyd
When I go to Comic-Cons and people line up for autographs, so many people have a story about how they are moved, how they get tearful about what 'Back To The Future' meant to them.
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You have no idea the people I meet when I do these Comic-Cons. When I go sign autographs and say hello to people, I see everything!
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
Innovation has nothing to do with how many R&D dollars you have. When Apple came up with the Mac, IBM was spending at least 100 times more on R&D. It's not about money. It's about the people you have, how you're led, and how much you get it.
Innovation has nothing to do with how many R & D dollars you have. When Apple came up with the Mac, IBM was spending at least 100 times more on R & D. It's not about money. It's about the people you have, how you're led, and how much you get it.
I don't think you can teach people how to be funny. You can make suggestions about how to speak a line or get a laugh, but it has to be in them.
I read the story and reread the story, but I still could not find the universality that the little Irishman had spoken of. All I saw in the story was some Irishmen meeting in a room and talking politics. What had that to do with America, especially with my people? It was not until years later that I saw what he meant ... I began to listen, to listen closely to how they talked about their heroes, to how they talked about the dead and how great the dead had once been. I heard it everywhere.
I came to one of the first Comic Cons in 1985, when it was just people trading back issues of comic books.
I thought that it's so sad there are people who live their entire lives lonely. They die and no one goes to their funeral. I thought about how sad that was and how so many people out there have that path. I know this sounds weird, but if I could go take their bones back to my house and appreciate them for what they are, it would be my way of taking that loneliness away.
We wanted to talk about death in the DC Universe, and how some people go to get a pass and come back, and some people didn't. That opened up a whole other topic about legacy. We wanted to talk about what was required to be a hero, what were the elements of true heroism?
I meet people who can't get healthcare for their families, people who are just distressed over what is happening in our country. So when somebody asks me, "How do you get up?" it really triggered in me the feeling that that's what I want us all to think about each other. How do we get up? How do we pull on our shoes, go out and deal with the problems America faces. That's what I intend to do as president.
Many people have the heart to give back, but a lot don't know how to. I try to be the bridge for those people - whether that means getting them involved in one of my campaigns or inspiring them by showing them a blueprint of how to get others engaged.
You’ve got to worry about the next play…Keep believing because people aren’t always going to like you but you have to believe in the people around you…You’re going to get knocked down but it’s how many times you get back up.
Life is not about how many times you fall down. It's about how many times you get back up.
My first program taught me a lot about the errors that I was going to be making in the future, and also about how to find errors. That's sort of the story of my life, making errors and trying to recover from them. I try to get things correct. I probably obsess about not making too many mistakes.
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
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