A Quote by Christopher Lloyd

I had an attitude about some work, like television sitcoms. It was selling your soul. — © Christopher Lloyd
I had an attitude about some work, like television sitcoms. It was selling your soul.
I had kind of an attitude, which was not uncommon in New York. Theater people who went to Hollywood to do sitcoms were selling out. That was the attitude. And I didn't really relish the idea of being cast in a sitcom, because I shared that attitude.
You never know what your work is going to do, man, so really, you shouldn't worry about it. But pop stars have to worry about it, because that's their commerce. If you're not number one or selling units, you're not going to be able to make a record next year. For us, it's more like an indie-rock attitude. Put it out, work it, and see what happens. It'll have a shelf life.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
I'm selling my soul to Hollywood Records. I love you like a love song baby, a sinful, miracle, lyrical. He ate my soul. He's Lucifer. I'm torn I'm selling my soul to the rhythm because I'm become so possessed with the music he plays. I chose a path and I'm not looking back.
There's still formulaic stuff on network television, but there's also more of an opportunity to have your way with storytelling, especially in sitcoms. That's what the difference is.
Life is about your soul, not about your body and not about your mind. Most people work hard to keep the body happy. Then they seek to stimulate their mind. Then... if there is time... they look after their soul. Yet the most beneficial priority has it just the other way around... When was the last time you paid attention to your soul?
It's all about attitude and feeling good about yourself and not looking like everybody on TV. You do not have to be small; you can have some junk in your trunk.
The crazy thing about television is that you are rarely allowed to grow. You are molded into a character based on some of your strongest traits, and you are forced to stay that way for your entire television life.
People tend to group together their favourite sitcoms and feel that they all took place in one spot named 'the past', but in fact all these sitcoms are spread over a long period of time, and all the terrible sitcoms that were on have been justifiably forgotten.
The projects I have done on television, they're sitcoms, situational comedies. The problem is, maybe because they go on every day, Monday through Friday, one-hour format, maybe that's why they're labeled as a telenovela. But technically speaking, they're sitcoms because they're situational comedies.
I've had my run-ins with department stores, like Harrods, which stopped selling fur coats, but I found some there with fur trim, which is just as disgusting. Foie gras production is appalling - there's no excuse for selling it.
When I first started, they were trying to get me into sitcoms - I think because I had that kind of Wonder Bread look and my hair always went into place. I kept saying, 'I'm not good at sitcoms. I don't know how to do that.'
I had to create some good work habits and attitude.
I'm not selling a dream; I'm not selling fame like it is some sort of fantastic thing.
I don't dislike being famous, but there have been moments when you think: 'Is this really worth it?' Sometimes you go through that stage where you're almost like selling your soul. People want all from you, absolutely everything. They want it from you. And everyone's got an opinion about you.
When I first started directing, I could have chosen a more lucrative path, with sitcoms and things like that. But I knew enough after the experiences I had in front of the camera that I was not going to do that, because I was just going to work on my own things or work with people I respected.
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