A Quote by Christopher Lloyd

I'll run into somebody, and of all the movies I've done, they may say something about 'Back to the Future' or whatever, but then they make reference to 'Clue' very favorably.
I think Paul Newman had an amazing career. I also love what Tom Hanks has done. He has always made very grounded movies that have something to say. He has found a way to make blockbusters that are about something and that is what I want to do.
I like to take on the thing I don't like at the moment. I like to find something that looks wrong or feels off, something that I would never have done in the past, like brocade. And then all of a sudden, if we can make brocade work, then we've really done something, because I hate it. And that's just a reference. I don't actually hate brocade.
Ladies gotta say no to their husbands at the movies. They gotta say: "No, we are watching back-to-back cancer movies. And then this movie about a cat."
If Martin Luther King, Roy Wilkins or any of these compromising Negros who say exactly what the white man wants to hear is interviewed anywhere in the country you don't get anybody to offset what they say. But whenever a black man stands up and says something that white people don't like then the first thing that man does is run around to try and find somebody to say something to offset what has just been said. This is natural but it is done.
You write a book, and after 50 pages you think it's about one thing, and then you write another hundred and you realize it's about something else, and then by the time you're done, you can look back and say, 'Oh, this is what it's about.'
I don't want to be in somebody else's movie, and then they make all the money. I've gotten offers to do the movies, but I won't sell myself short and be in somebody else's movie, like 'Boyz N the Hood.' I don't think I woulda done that.
You know, we may just be planting seeds for future generations, but that's okay. We can't be deterred from doing things, because we might be laughed at, because somebody might say, "What did you think you'd accomplish by turning your back on the secretary of state," or something like that.
Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever.
I realized that we're now at a point of self-reference with the Internet culture that there's almost no there left, you know? It's important to make new things. It's important to make culture, rather than simply reference it. I love a good cultural reference, and it's one of the great joys in my life, but it has to all be in balance with the core job, which is to make something new. And that sort of brings me around to why I started talking about my fondness for marijuana.
There is something about me that is collaborative, that wants to get the best performance out of somebody else or to hear something that somebody else has done that's good and to try and make it great.
When we are at the worst times of our lives, when we are battling with something, or struggles, whatever it may be, when we are at our highest point as well, when things are going really well, we want somebody to comfort us and be there for us and to say, 'Well done.' That's Jesus!
In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.
I believe Korea is making the best movies. Only in Korea - you can do whatever you want to without any rating system or whatever. They can make world-class karate movies and make lots of money, which is very important.
I seem to play in spurts. Somebody will tell me about a cool game, then I'll run out and play for a bit, but then I'm done.
When I'm doing something, it's something that I had a perspective on in my childhood, or now, but it may be different. I always can go back to what I love, but if somebody has a better idea, then I'm all for it.
You can't expect somebody to speak out on a certain subject. If they want to say something about it, then say something about it. But artists have a choice. It's their choice. I choose the stuff I talk about, but it's not my responsibility to do it.
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