A Quote by Christopher Locke
TV has the longest recall. You remember what you've seen for longer; it has engagement and emotion. It's the most talked about.
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You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.
The most important, the longest lasting, the strongest emotional, and the most practiced memories are the ones that are embedded the deepest in the brain, and because we have retrieved them so many times previously, they are the most able to be retrieved. We all hear about people who can remember their youth, their phone number, or street address from 70 years ago, but they cannot recall what they had for breakfast. The memory of this morning's breakfast wasn't rehearsed, and wasn't very important, so it fades away quickly.
Interestingly, anger and lust are also elusive states once they have passed. Trying to recall why you were angry about something when you've calmed down is like trying to remember why you were in love with someone who no longer attracts you: the initial impulse triggering the emotion is impossible to recapture.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
The quickest, simplest, and most powerful way I know to handle any emotion is to remember a time when you felt a similar emotion and realize that you've successfully handled this emotion before.
I really do remember everything. I see people I haven't seen in 20 years, and I can talk with them about what we talked about outside the high school.
Most people think that 'I don't recall' is a clever answer. But it isn't that clever. You might not recall that you had bacon and eggs for breakfast- but if you killed your mother, you'll remember it.
Some visual artworks are made to be talked about more than to be seen, others are made to be seen more than to be talked about. I think I belong in the latter category.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
You only think about things when you see people doing it. Most girls know now they can be lawyers. They know that they can work in an emergency room - they've seen 'ER.' But I don't recall that anyone has seen scientists on a large scale, except for a few paleontologists in 'Jurassic Park.'
I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
Use the longest leader you can handle. Usually you can handle one much longer than you imagine. Remember that the purpose of the leader is to conceal artificiality. If you believe a leader is at all necessary then you must admit that the longer the leader the better chances you have for success
Genuine expressions of emotion rarely persist longer than five seconds and almost never longer than 10. A fixed smile is likely to conceal anger, anxiety, or some other negative emotion.
I tend to think that the whole concept of, 'I saw this TV show, and someone was wearing this sweater, and now I'm going to buy that,' it's something that's been talked about for a long time, but I've never really seen it work. When people are watching an entertainment show, they want to be entertained.
I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
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