A Quote by Christopher Love
Pour not on the comforts you want, but upon the mercies you have. Look rather at God's ending in afflicting, than to the measure and degree of your affliction.
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Take notice not only of the mercies of God, but of God in the mercies. Mercies are never so savoury as when they savour a Saviour.
In God, there is no sorrow or suffering or affliction. If you want to be free of all affliction and suffering, hold fast to God, and turn wholly to Him, and to no one else. Indeed, all your suffering comes from this: that you do not turn toward God and no one else.
The God of the Bible is the God of liberation rather than oppression; a God of justice rather than injustice; a God of freedom and humanity rather than enslavement and subservience; a God of love, righteousness and community rather than hatred, self-interest and exploitation.
You can almost measure where you are in life by the degree to which you have begun looking back rather than ahead.
I learned to look more upon the bright side of my condition, and less upon the dark side, and to consider what I enjoyed, rather than what I wanted : and this gave me sometimes such secret comforts, that I cannot express them ; and which I take notice of here, to put those discontented people in mind of it, who cannot enjoy comfortably what God has given them, because they see and covet something that he has not given them. All our discontents about what we want appeared to me to spring from the want of thankfulness for what we have.
God never witholds from His child that which His love and wisdom call good. God's refusals are always merciful -- "severe mercies" at times but mercies all the same. God never denies us our hearts desire except to give us something better.
I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.
We give thanks often with a tearful, doubtful voice, for our spiritual mercies positive, but what an almost infinite field there is for mercies negative! We cannot even imagine all that God has allowed us not to do, not to be.
Christians ought to suspect that affliction is the very essence of creation. To be a created thing is not necessarily to be afflicted, but it is necessarily to be exposed to affliction. ... Affliction is the surest sign that God wishes to be loved by us; it is the most precious evidence of His tenderness.
Look at market fluctuations as your friend rather than your enemy; profit from folly rather than participate in it.
I have been a man of great sins, but He has been a God of great mercies; and now, through His mercies, I have a conscience as sound and quiet as if I had never sinned.
The present moment is always full of infinite treasure. It contains far more than you can possibly grasp. Faith is the measure of its riches: what you find in the present moment is according to the measure of your faith. Love also is the measure: the more the heart loves, the more it rejoices in what God provides. The will of God presents itself at each moment like an immense ocean that the desire of your heart cannot empty; yet you will drink from that ocean according to your faith and love.
The Saviour and the Comforter, two Persons of the Godhead: the One ever saves from sins, and the Other comforts him who is saved. Their very names are taken from their deeds, and are always actually justified. He comforts! The Holy Spirit comforts the believing soul, as a mother comforts her child.
Great comforts do, indeed, bear witness to the truth of thy grace, but not to the degree of it; the weak child is oftener in the lap than the strong one.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
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