A Quote by Christopher McCandless
Don´t hesitate or allow yourself to make excuses. Just get out and do it. Just get out and do it. You will be very, very glad that you did.
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When it's all said and done, I'm very, very glad to work in this business, but that's exactly what it is. It's a business, and I get to do the fun half of it. I get paid to pretend. I get to play really great characters. And, we have such a wonderful writer. She just knows people so intricately, and it's so fun to be able to act out her words.
I'm in the process of working out an arrangement to make some very, very, very small films in the midst of all these films and maybe that will help. But you get tired of talking. You just want to do it.
What we were trying very hard to do, just in the way we shot it, was to make it feel as if we're in that environment ourselves, just so we can get a grasp on what it is. A lot of our influence was about getting stuck on a level on any of those video games, where you find yourself caught and you can't get out, and it's maddening. We talked a lot about that.
The more a church flourishes, the more, I believe, do hypocrites get in, just as you see many a noxious creeping thing come and get in a garden after a shower of rain. The very things that make glad the flowers bring out these noxious things. And so hypocrites get in and steal much of the church's sap away.
Just slip out the back, Jack, make a new plan, Stan, you don't need to be coy, Roy, just get yourself free. Hop on the bus, Gus, you don't need to discuss much, just drop off the key, Lee, and get yourself free.
It can get discouraging - 'Oh, it didn't work,' or, 'Oh, I lost the baby,' or, 'I can't do this again.' You can. And when you get the kid, you'll be happy that you did. But it's a very painful process for a lot of people. You just have to figure out how it's gonna get done.
Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.
When you get out in the field, it's just like any other game. You want to be the same player, the same team that has gotten them to that point. I don't think you have to do anything special. Just be yourself and allow all the time you put in that take over and get the job done.
I will cross that bridge when it comes. I am not stupid. I am a very bright guy. I know that in the fighting game, you get people who get brain damage and do themselves long-term harm. I am into it in a big way, and I am good at it, and I am going to get very, very rich and then I will get out and we will see what comes after that.
My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.
I would say that I don't make music quickly; like, my process has been very slow, and my bar is very high, and I don't really rush to make music just to get something out there.
I learned very quickly that if you just go out and make something and maybe fail at it or you just learn how to edit it yourself. I edited my last films. You just do it yourself. You feel so creatively empowered and you're controlling your own destiny as artists.
Cardiac depression is very powerful; it's very black; it's very dark. What I've learned to do is get out of my head and get into my heart. And it just sounds like an easy thing - it was difficult at first - to truly recognize moment to moment how fortunate I am.
Cardiac depression is very powerful, it's very black, it's very dark. What I've learned to do is get out of my head and get into my heart. And it just sounds like an easy thing - it was difficult at first - to truly recognize moment to moment how fortunate I am.
I realized that very young - that a life where you don't live to your full potential, or you don't experiment, or you're afraid, or you hesitate, or there are things you know you should do but you just don't get around to them, is a life that I'd be miserable living, and the only way to feel that I'm on the right path is just to be true to myself, whatever that may be, and that tends to come with stepping out of something that's maybe safe or traditional.
I'm obviously a typeomaniac, which is an incurable if not mortal disease. I can't explain it. I just love, I just like looking at type. I just get a total kick out of it: they are my friends. Other people look at bottles of wine or whatever, or, you know, girls' bottoms. I get kicks out of looking at type. It's a little worrying, I admit, but it's a very nerdish thing to do.
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