A Quote by Christopher Meloni
The reason why I hate working in theatre is the tedium of memorisation. But once that is done, then you feast on this never-ending meal. If you play it correctly, every night is fraught with very high stakes that are very difficult to find in everyday life.
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People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
The ideas behind the words are simple ones that work in everyday life; find what we most want to do; do it, no matter what; and in the doing be guaranteed a very difficult and a very happy lifetime.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
I am not at all computer literate in real life. I haven't yet found a reason to be. Once I find a reason why I need to be on the Internet, then I will be.
What theatre people love about theatre - and I totally understand it, I just don't share it - is that they feel they mint something afresh every night. Because I would rather do something until I've done it and then know it's done. New day, next thing!
I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
The theatre starts every night at half past seven, and I like the rhythm of going to the theatre, parking the car, going to the stage door; I've grown up with all of that. I'd love to do more theatre - I mean, I shouldn't be telling the world that I can't remember lines any more, but I find it more and more difficult, so I don't know.
Homophobia is very, very difficult to root out, to extricate. That's why we have to bear witness. That's why we have to be so public about it, and that's why we can't just play footsie with it.
I mean there’s a certain finality about a movie, when it’s done it’s done – that raised eyebrow in that moment will always be that raised eyebrow. Whereas a play only lives as a blueprint for a performance on any given night. There’s a reason you can eat popcorn and watch a movie and you can’t do that in the theatre. Theatre you have to lean in, you have to tune your ear to the stage and participateI respond to heat. And blood. And humanity. The cold experience is not for me. I’ve always enjoyed all the real people in a room together in the theatre.
I hate rules. I hate 'This is the way things are done'. I hate a lack of reinvention. I hate theatre as an archeological exercise. Theatre needs to be urgent.
It's very difficult to find even one or two criteria that you will find in every Internet situation, and the reason is that the technology constrains language in individual ways.
In my early days, fashion was considered a very high risk industry. The failure rate is very high. Trying to get capital and trying to find people who specialize in that industry is very difficult too.
When politicians began to see that every last thing that they did in public could be broadcast to a mass audience, the fact that the stakes were so much higher now that every moment became fraught caused them to become more cautious, and the consultants very gradually but inevitably became literal reactionaries.
We never do anything well till we cease to think about the manner of doing it. This is the reason why it is so difficult for any but natives to speak a language correctly or idiomatically.
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