A Quote by Christopher Moore
I think there was always some scrawny dreamer sitting at the edge of the firelight, who had the ability to imagine dangers, to look into the future in his imagination and see possibilities, and therefore survived to pass his genes on to the next generation.
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The writer by nature of his profession is a dreamer and a conscious dreamer. He must imagine, and imagination takes humility, love and great courage. How can you create a character without live and the struggle that goes with love?
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
Walt Disney had a nuclear imagination before the advent of nuclear, some comprehension of apocalypse and rapture deep in his genes.
An animal so poor in spirit that he won't even fight on his own behalf is already an evolutionary dead end; the best he can do for his breed is to crawl off and die, and not pass on his defective genes.
Barney Kessel was 'Mr. Guitar,' the foremost jazz guitarist of his generation. He had an amazing imagination, his solos were incredible, he swung his tail off, he was a heck of an arranger and could out-read anybody.
If you watch animals objectively for any length of time, you're driven to the conclusion that their main aim in life is to pass on their genes to the next generation.
After Mengistu consolidated his power in 1978, his personality gradually began to change. His ability to listen and his patience faded away. We could now see these qualities were pretences only; he had been putting on his best behavior in his bid for support.
As soon as a man and woman of almost any age are alone together within four walls it is assumed that anything may happen. Spontaneous combustion, instant fornication, triumph of the senses. What possibilities men and women must see in each other to infer such dangers. Or, believing in the dangers, how often they must think about the possibilities.
Carl Furillo was pure ballplayer. In his prime he stood six feet tall and weighed 190 pounds and there was a fluidity to his frame you seldom see, among such sinews. His black hair was thick, and tightly curled. His face was strong and smooth. He had the look of a young indomitable centurion ... I cannot imagine Carl Furillo in his prime as anything other than a ballplayer. Right field in Brooklyn was his destiny.
When I look at a football pitch, I suppose, yes, I see it as my canvas. I see solutions, possibilities, the space to express myself. I am always looking for ways to be creative, to gain an edge.
Bernard Harris is a great example of the American success story. In Dream Walker he describes how he is trying to pass on his experience and success to the next generation -- we can all learn from his real life story.
I've seen definitive change in the mountains. I have concerns for the future generation. We inherit the earth from the people in front of us, and then we pass it on to the next generation. I don't think we've done a great job with our responsibility to leave the earth a better place than what we were born into.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
Besides, whoever keeps the future in front of him and the past at his back is doing something else that's hard to imagine. For the image implies that events somehow already exist in the future, reach the present at a determined moment, and finally come to rest in the past. But nothing exists in the future; it is empty; one might die at any minute. Therefore such a person has his face toward the void, whereas it is the past behind him that is visible, stored in the memory.
The Warrior lives a life full of adventure, living on the edge of opportunity. Life on the edge keeps him in a space of heightened awareness and totally in the moment; therefore no matter what comes his way he is always prepared.
It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.
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