A Quote by Christopher Moore
Well they're pissed off and they're hungry. I was kind of busy trying not to get my brains eaten. They seemed pretty adamant about the brain-eating thing. Then they're going to IKEA, I guess
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I couldn’t see Pritkin’s face very well, just a pale blur against the shadows, but he didn’t sound happy. Some people thought he had only one mode... pissed off. In reality, he had plenty of them. Over the past few weeks, I’d learned to tell the difference between real pissed off, impatient pissed off and scared pissed off. I suspected that this was the last kind. If so, that made two of us.
You kind of notice what's going on in your body, and you can kind of feel a certain tightening, or fear, which is something that, as an artist, I've kind of befriended. I can pretty much count on it for anything that I engage in - that thing like, "Am I going to be able to pull this off?" Well, what am I gonna do with this feeling? The more nervous you get, the more worried you get about it. So you pay attention to what you might need.
When I was younger I was very opinionated about art. And then, I realized that I kind of recognized this pattern where the things that I was vehemently of pissed off about, I would end up loving them two years later. So I just tried to mellow out. Like there's art that I think is pretty silly, but it doesn't get under my skin like it used to.
When I look at the human brain I'm still in awe of it. Every single time you lift off the bone and open the durra and there it is - the human brain, the thing that gives a person a personality, that distinguishes each one of us, that there could be more than 6 billion of us here on this planet with brains that look the same, but each one being distinctly different because of what is going on in that thing. I'll never get over my awe of that.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
I was kind of like chasing my tail and trying to do the right thing, and was a little bit stupid. Or irresponsible, which is the same thing I guess. It's just been really busy and I had a lot of great opportunities.
Holiday eating is a study in paradox. You're surrounded by food, but you're so busy shopping and cooking that you don't have time to eat. Then, when your blood sugar dips to the point of derangement, you make a desperate lunge for the closest foodstuff - and the next thing you know, you've eaten an entire box of regifted peppermint bark.
George Harrison: The day after the Blue Angel audition, John showed up to rehearsal with a long list of name suggestions, and I remember each and every one of them: the Deads-men, the Deadmen, the Undeads-men, the Undeadmen, the Rots, the Rotters, the Dirts, the Dirty Ones, the Grayboys, the Eaten Brains, the Eating Brains, the Mersey Beaters, the Mersey Beaten, the Bloodless, the Graves, the Headstones, and the Liverpools of Blood. Paul ripped off John's right arm and used it to slap John across the face, then he said, "Those're horrible, mate, just horrible, y'know.
I realized that my righteous indignation was a form of entertainment for me. I loved getting pissed off at injustice. I didn't do anything about it, I just liked the feeling of being pissed off.
I think being honest with one another creates an environment that's comfortable. You want to know where you stand, whether you're doing a good job. The players know what's going on before you do. They're trying to see if you're going to do something about it. And when it's not like that, everybody is pissed off, because they know that people can get away with stuff and that nobody is keeping them in line. That's not a team to me.
If you fight a hungry fighter and you look into their eyes and you're not as hungry as they are, that's when you get eaten up.
One minute you're a developing athlete trying to get to the top, then the next minute you do well and win a medal somewhere, and then it's all foisted on you. You never know when it's going to happen. You don't think about the media side of things when you're a young athlete trying to do well.
I lived with my mom in Hawaii until I pissed her off. And then I came to live with my dad and pissed him off. He made me hustle, and claw, and fight. That's all stuff you want. You want that drive.
A writer's job is not complete without attention to precision. What you're trying to be precise about is your relationship to the observed thing. And "observed thing" could include remembered thing, fantasized thing, fictionalized thing, recorded thing, trans-altered thing. It's the model that's in front of you or in your brain or your memory or whatever. So you're trying to be precise about what it is you're seeing because it's very unlikely that you're going to be able to depict it as it is.
Here's the number one reason Americans are heavy: The brain, very smartly, wants nutrition. But the average American is not eating nutrients; he or she is eating empty calories. So you finish that 2,000 calories and your brain says, Keep going until you get nutrients.
I'll call if I break a leg or get eaten by a bear." "Play like a rock." "Now?" "No, if a bear starts eating you." I thought for a moment before replying. "Do they have screaming, sobbing rocks, 'cause that's probably what I'll be doing if a bear is gnawing my arm off." "It would be difficult to just lay there and be eaten alive, huh?" "Ya think?
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