A Quote by Christopher Moore
Theophilus Crowe's mobile phone played eight bars of "Tangled Up in Blue" in an irritating electronic voice that sounded like a choir of suffering houseflies, or Jiminy Cricket huffing helium, or, well, you know, Bob Dylan.
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"Tangled Up in Blue," shifts perspective several times during the song to tell a "tangled" version of [Bob] Dylan's marriage and dissolution.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
I'm a huge Springsteen fan, and yet if either he or Bob Dylan had to be erased from the world's hard drive, I would save Bob Dylan's work for sure - he's the greater talent, and by leaps and bounds and skyscrapers and rocket blasts. But Bob Dylan is an alien to his public.
Bob [Dylan] is not authentic at all. He's a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.
I sounded like Bob Dylan for about five minutes, and it was blown out of all proportion.
My voice? Yeah, well, I used to drink a lot of beer when I was a kid and I sounded like a drunk in a choir. I don't drink anymore.
And what makes Bob Dylan stories interesting is that the only person who can decide their outcome is Bob Dylan, so you never know how they're going to go.
I have no doubt that if I met Bob Dylan, it would be disappointing - and annoying to him. But that's why I like Bob Dylan.
You sounded like Dolly parton on helium." (After kristy lee cook of season 7 on american idol,sang her country rendition of the Beatles'"Eight Days A Week.)
Bob Dylan is my idol. Everybody has that person growing up that made them see things a little differently than they did before, Dylan is that guy for me. My dad gave me the 'Blonde on Blonde' album on cassette tape when I was seven or eight. It took me a while to get into Dylan's vibe, but once I did, I never looked back.
Bob Dylan had been a big sort of presence in my life but I'd never quite registered what he was trying to tell me. He was always this kind of figure, a sort of bear-like figure in the corner of the room. You know, every time I imagined what Bob Dylan looked like, he looked a bit like Steve Earl used to look - with the beard.
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
but right now it's Bob Dylan Bob Dylan Bob Dylan all the way.
I was comparatively late in understanding Bob Dylan's overwhelming importance as a songwriter. Everybody who does my job exists in the shadow of Bob Dylan. There are two categories: Dylan and everybody else. It's as simple as that. And it's going to be that way until he dies.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
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