A Quote by Christopher Moore
How could you deal with a creature as devious as woman.
Related Quotes
The female mind is certainly a devious one, my lord." Vetinari looked at his secretary in surprise. "Well, of course it is. It has to deal with the male one.
The painting showed a hairless, oppressed creature with a head like an inverted pear, its hands clapped in horror to its ears, its mouth open in a vast, soundless scream. Twisted ripples of the creature's torment, echoes of its cry, flooded out into the air surrounding it; the man or woman, whichever it was, had become contained by its own howl. It had covered its ears against its own sound. The creature stood on a bridge and no one else was present; the creature screamed in isolation. Cut off by - or despite - its outcry.
What you hold in your hand is proof of man's power - against which our strength means nothing. It has the force of 100 spears. I warn you, man's ingenuity goes hand-in-hand with their cruelty. No creature is as devious or violent.
With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect.
You run into a party and [a] woman comes up to you. She's the most beautiful creature you ever saw - Ava Gardner - and says, "I like you and why don't we get together?" What are you going to say, "No"? You'd have to be an idiot. She was an incredible creature.
There is no more unfortunate creature under the sun than a fetishist who yearns for a woman's shoe and has to settle for the whole woman.
Refinement is just as much a Christian grace in a man as in a woman; but he is not such a hateful, unsexed creature without it as a woman is.
I wanted to be an independent woman, a woman who could pay for her bills, a woman who could run her own life - and I became that woman.
Churchill was the canny political animal, very devious, bursting with energy and determination, learning as hard as he could.
How could that woman [Hillary Clinton] actually be the most cheated-on woman in America? Which she is.
If we're a natural man, we're attracted to a woman. You are our natural partner in the act of procreation. Now there's a time and a place for everything, but when a fine-looking woman, with a fine-looking form walks down the street, a man could be working with a jackhammer, and when he spies that woman, he'll watch her as she walks. What kind of thought comes up in your mind? You don't say, "Oh, what a great creature." Like a dog you may say, "Man, I'd sure like to have some of that!" That's not what you want.
History is a continuum, it's not these separate moments. That's how we look at it. In the 1700s in Virginia before there were police officers - there were these groups of men who would wander the countryside - and if they saw a black man or a black woman they would presume that that black man or woman was a slave. If you didn't have the kind of pass that you were supposed to have, then you could be whipped, you could be enslaved, you could be taken into custody - even if you were free. And as I'm reading this I find myself thinking, "How is this any different from stop-and-frisk?"
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
What a story is, is devious. It pretends transparency, forthrightness. It engages with ordinary people, ordinary matters, recognizable stuff. But this is all a masquerade. What good stories deal with is the horror and incomprehensibility of time, the dark encroachment of old catastrophes...
One of the things in the Mary Shelley [Frankenstein] is that the creature tells his story, so this begins with the creature's point of view. So, it literally starts with the creature opening his eyes and is born - but is obviously in his 30s. But because they're the creator and the created we thought it would be really interesting if they could look at each other every other night and play each other's roles.
In my book Radical Reform I made it clear that we cannot talk about the environment or ecology if we don't also deal with the economy. There is a direct link between how we deal with the economy and how we deal with nature.
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