A Quote by Christopher Moore
The bat was looking at Theo and Theo was having trouble following his own thoughts.The bat was wearing tiny sunglasses.Ray Bans,Theo could see by the trademark in the corner of one lens."I'm sorry, Mr.,uh- Case, could you take the bat off your head.It's very distracting." Him." Pardon?" It's a him.Roberto.He no like the light.
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The most important to me is, Theo is a good person first and foremost. And I think that has a lot to do with it. He's not deceitful. He's an honest guy, a good guy. There's a lot more to this thing than it being a job for him, being born and raised here, the Red Sox being as important as they are to him. Above all else, Theo understands he's a compromiser. Theo understands that the clubhouse is our home. He doesn't invade that privacy often. When he does, he doesn't make you uncomfortable and that says as much about him as anything.
When the ball is over the middle of the plate, the batter is hitting it with the sweet part of the bat. When it's inside, he's hitting it with the part of the bat from the handle to the trademark. When it's outside, he's hitting it with the end of the bat. You've got to keep the ball away from the sweet part of the bat. To do that, the pitcher has to move the hitter off the plate.
You can't see the bat hit the ball if you're generating any bat speed. If you're just laying the bat through the strike zone, sure, maybe.
A lot of the lads have a bat for the nets, a bat for facing the bowling machine and a separate bat for the match. I'll just crack on with a bat until it breaks - then crack on with another one.
When you win the toss - bat. If you are in doubt, think about it, then bat. If you have very big doubts, consult a colleague then bat.
The first show I ever saw was Meat Loaf, and it was on the Bat Out of Hell tour. Meat Loaf actually had a huge 20-foot bat behind him. Smoke came out of the bat's nose and his eyes glowed red - which is still one of the most mindblowing productions I've ever seen.
No one can ever see the ball hit the bat because it's physically impossible to focus your eyes that way. However, when I hit the ball especially hard, I could smell the leather start to burn as it struck the wooden bat.
I got rabies shots for biting the head off a bat but that's OK - the bat had to get Ozzy shots.
When I look at someone like Andrew Symonds, I see a player who has done phenomenally well with the bat, as his record shows. He certainly has the ability to be a very good all-rounder, but I think to be a great one, you need to be able to turn a game with the bat or the ball.
I smashed his hand as hard as I could with the Wiffle bat. "Ow!" he screamed. Carson was rubbing his red palm, inspecting it for damage. "That hurt," he shrieked. "You really hurt me." "Right back at you," I said. "Good-bye Carson." He frowned, massaging his hand, the big baby. "I just wanted to end this nicely." "Yeah?" I cocked the bat up to hit him again. "Well, this time you don't get what you want.
I am an arm hitter. When you snap the bat with your wrists just as you meet the ball, you give the bat tremendous speed for a few inches of its course. The speed with which the bat meets the ball is the thing that counts.
I struck out with two men on base. I was so angry, so frustrated, I turned and without even thinking about it, snapped my bat over my thigh. The bat split right in half. Afterward, reporters asked me if it was the first time I'd ever broken a bat over my thigh. "I broke an aluminum bat over my knee in college," I said. (I was just kidding).
I've done it before where I get guys banging their bat on the ground after their second or third at-bat because you just have so many different combinations to try to get him to swing and miss.
Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
I touched Roger's bat and held it to my heart. My bat will lie next to his. I'm damn proud of that.
I'm trying to break the stereotypical role now of the Theo-type character because, in my post-'Cosby' life, as I call it, I don't want to be known as just the kind of guy who can play a Theo Huxtable-type character. I want to be known as being able to do more things, being able to stretch.
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