A Quote by Christopher Moore

When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.' — © Christopher Moore
When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.'
When I teach seminars, I tell people, Your stuff has to look like something thats out there, because otherwise nobody will take a chance on you.
I always tell people, I can't teach you yoga. Nobody can teach you yoga. I can't teach you to teach yoga. All I can do is teach you a set of instructions and if you follow these instructions, hopefully it will lead you to the experience of yoga.
The best stuff happens when you take a chance. When you risk something and do the thing that the other people are taking a chance on, on a network kind of level, they will be rewarded. You know, risk-reward.
You just go from sort of normal life - nobody knowing your name and what you look like - to it being a matter of two months or something and there are people making posters and holding your name up and camping outside your house and really crazy stuff.
Lots of the free world has become weak. When you look at Brussels, when you look at the way they've handled things from law enforcement standpoints, when you look at Paris, when you look at so many other places, no, it's not. But neither is the United States a safe place, because we're allowing thousands of people to come in here. Nobody knows where they're from. Nobody knows who they are and they're coming in here by the thousands. And let me tell you something, we're going to have problems just as big or bigger than they've got.
I try to take a couple of young guys under my wing and tell them what I've learned, because you can't teach nobody if you don't know anything.
It's not unusual for writers to look backward. Because that's your pool of resources. If you were to write something now, I bet there's a pretty good chance you'd call on your teenage years, your experiences then, stuff you learned then.
One of the things I tell people in my seminars is to hang out with positive, nurturing people. You become like who you hang out with.
Reputations are maintained by the outside world, and they're created by it, too, by and large. And they serve as a hell of a device for privacy, because the more people look for something that's not there, the less chance they have of violating who you are. It's like going out there with a mask on, without having to exercise your upper body to put it on.
don't say it. don't tell me that nobody's going to stare at me, because they will. don't tell me it doesn't matter, because it does. and don't tell me i look fine because that's a lie.
Messy stuff irritates me. I don't like messiness. If you leave something around my house, I'll tell you to move it back, clean it up, throw it in the trash - don't matter, just get rid of it. I need stuff neat, organized. And once I start cleaning stuff, I don't stop until it's done. Otherwise I'm irritated all day.
A lot of times people will send me stuff. They will find something and they will send it to me and then I will take a look at it. Every once in awhile I will go on IMDB for 10 or 15 minutes and look around. But I am not a huge gearhead. I don't even have my own computer. I use my girlfriends.
Despite what you hear about the publishing industry being a fixed game that you can only get in if you know somebody, I'm here in person to tell you it ain't so. If your stuff is really any good, sooner or later some editor will take a chance on you.
I hope people will never stop dressing up as Harry Potter. It feels less to me like something you wear because you think it's a great costume idea and more like something you wear because you really like wearing your Hogwarts robe, and you really only get the one chance per year.
When you start the game, coaches will tell you to do stuff in a particular way, and kids do that. But the moment you start first-class cricket, the coach needs to tell you, 'Try this, try that,' instead of, 'Do this, do that.' If you feel comfortable, you can take it; otherwise, leave it.
I tell my students all the time is, for better or worse, no publisher is going to come wrench your story out of your hands before you're ready to let it go. You will have time to take stuff out. You don't have to show it to anybody. That's what I did.
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