A Quote by Christopher Morley

The greatest poem ever known Is one all poets have outgrown: The poetry, innate, untold, Of being only four years old. — © Christopher Morley
The greatest poem ever known Is one all poets have outgrown: The poetry, innate, untold, Of being only four years old.
I have believed for many years that Oscar Peterson is not only the greatest pianist in jazz today, but the greatest it has ever known.
I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
I do believe that one's writing life needs to be kept separate from Po-Biz. Personally, I deal with this by not attending too many poetry readings, primarily reading dead poets or poems in translation, reading Poets & Writers only once for grant/contest information before I quickly dispose of it, and not reading Poetry Daily. Ever.
I began to write poetry when I was about four years old. In other words, I've always been writing poetry.
In Franklin Roosevelt there died the greatest American friend we have ever known - and the greatest champion of freedom who has ever brought help and comfort from the New World to the Old.
Just take the negro child. Take the white child. The white child, although it has not committed any of the per - as a person has not committed any of the deeds that has produced the plight that the negro finds himself in, is he guiltless? The only way you can determine that is, take the negro child who's only four-years-old. Can he escape, though he's only four years old, can he escape the stigma of discrimination and segregation? He's only four-years-old.
Rumi is perhaps the greatest mystical poet who ever lived, one of the greatest poets of the Persian language. He was able to express practically all aspects of the spiritual life and our existential situation in the world today as human beings in beautiful Persian poetry.
There was no really good true war book during the entire four years of the war. The only true writing that came through during the war was in poetry. One reason for this is that poets are not arrested as quickly as prose writers.
I just think that the world of workshops - I've written a poem that is a parody of workshop talk, I've written a poem that is a kind of parody of a garrulous poet at a poetry reading who spends an inordinate amount of time explaining the poem before reading it, I've written a number of satirical poems about other poets.
I should think that many of our poets, the honest ones, will confess to having no manifesto. It is a painful confession but the art of poetry carries its own powers without having to break them down into critical listings. I do not mean that poetry should be raffish and irresponsible clown tossing off words into the void. But the very feeling of a good poem carries its own reason for being... Art is its own excuse, and it’s either Art or it’s something else. It’s either a poem or a piece of cheese.
My first spoken word poem, packed with all the wisdom of a 14-year-old, was about the injustice of being seen as unfeminine. The poem was very indignant, and mainly exaggerated, but the only spoken word poetry that I had seen up until that point was mainly indignant, so I thought that that's what was expected of me.
It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.
I've known I wanted to do this ever since I was four years old and watched 'Star Search' for the first time. I mean, Harrison Ford in 'Indiana Jones and the Raiders of the Lost Ark?' My hero.
Many books in my library are now behind and beneath me. They were good in their way once, and so were the clothes I wore when I was ten years old; but I have outgrown them. Nobody ever outgrows Scripture; the book widens and deepens with our years.
Most poets who have little or nothing to say are concerned primarily with the way in which they say it ... if it is true that the style of a poem and the poem itself are one, ... it may be ... that the poets who have little or nothing to say are, or will be, the poets that matter.
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