A Quote by Christopher Morley

Big shots are only little shots who keep shooting. — © Christopher Morley
Big shots are only little shots who keep shooting.
I wouldn't have the experience or the confidence to go on 'AGT' without being on 'Little Big Shots' because doing 'Little Big Shots' was really fun, but it was also really good practice for my appearance on 'AGT,' and it was just a great, awesome experience that I will remember always.
Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots.
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.
I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.
It's my job to make shots. But the big shift is that I understand it's actually my job to take these shots.
There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.
Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.
If a guy is shooting a shot in the corner 70 percent of the missed shots usually come off that other side and 30 percent hits off the front rim so just playing the percentages and kind of studying your teammates' shots throughout the course of the game.
Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.
We look at the poor shots and ask why. Then we work on stability and balance. We're always trying to get the club in the little bit better position so we hit fewer poor shots.
Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.
If you start worrying about your shooting percentages, you start not taking the shots you know you can make. You start worry about taking shots because you don't want to mess up your percentage.
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