A Quote by Christopher Owens

The fact that I have a lot of songs written doesn't keep me from wanting to write new ones, or new ones from coming. — © Christopher Owens
The fact that I have a lot of songs written doesn't keep me from wanting to write new ones, or new ones from coming.
Well, you have the public not wanting any new spending, you have the Republicans not wanting any new taxes, you have the Democrats not wanting any new spending cuts, you have the markets not wanting any new borrowing, and you have the economists wanting all of the above. And that leads to paralysis.
There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.
I love the songs we've written together [with Ivo Moring] and believe that Rock music is coming back with a vengeance. There are a lot of new and exciting things on the horizon and the next chapter is going to be amazing.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
The thing about Bob Dylan's performative essence is that he keeps singing these old songs as well as the new songs, and the old songs become new with new arrangements and new contexts as time goes by.
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
All the new songs have been written since the re-issue of Diamond Day. With my first royalties I got a Mac and a little mixer and a keyboard, figured out the basics of a music program, and gradually started to write and record the songs and the arrangements.
I can only write new words at my desk, the one I've owned for 25 years. When we moved to our new house I designed my office around it. I've written everything I've ever written at this desk.
I have written quite a lot of songs about dealing with my feelings surrounding the disease. I have written songs about the fear and anxiety I have around my disease, and the fear of it coming back. Some of my songs might seem like relationship songs, but are more about my relationship with that struggle.
I work hard at that, but the fact that there are a lot of good songs means there are also a lot of really bad songs I've written that you never hear.
I try not to write songs. I would rather emote them, and I found myself going back to my room every night while on my trip, just pouring out new songs and new stories about what I was seeing, what I was feeling.
It's hard to write new stuff when the songs you have written before are still changing and evolving. It would be like building something when the foundations there are not really solid.
We may think there is willpower involved, but more likely... change is due to want power. Wanting the new addiction more than the old one. Wanting the new me in preference to the person I am now.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
I suppose in some ways doing some of the songs in the show felt a bit like I was doing cover versions. I was covering myself. Not that they didn't feel like my songs, but the way I was approaching them was from a place so outside where they were written. The fact that these songs were in the context of a live show was a new thing.
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