A Quote by Christopher Paolini

The songs of the dead are the lamentations of the living. — © Christopher Paolini
The songs of the dead are the lamentations of the living.
The Bible is not primarily a written or printed text to be scrutinized in private, in a scholar's study or a contemplative cell. It is a body of oral messages, announcements, prophecies, promulgations, recitals, histories, songs of praise, lamentations, etc., which are meant either to be uttered or at least read aloud, or chanted, or sung, or recited in a community convoked for the purpose of a living celebration.
Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to re-open the wound.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
The border between the dead and the living, if you're Mexican, doesn't exist. The dead are part of your life. Like my dad, who's not here, but he's here.That's why there's the Day of the Dead. There's such a connection with the dead.
The living are soft and yielding; the dead are rigid and stiff. Living plants are flexible and tender; the dead are brittle and dry.
I am confident that there truly is such a thing as living again, that the living spring from the dead, and that the souls of the dead are in existence.
We're living or dying. We're already dead, the living dead. So do what you gotta do. Take care of your family, of yourself as a whole, and everything will be alright.
I have one sentiment for soldiers living and dead: cheers for the living; tears for the dead.
Tradition does not mean that the living are dead, it means that the dead are living.
"When the dead are done with the living, the living can go on to other things," Franny said. "What about the dead?" I asked. "Where do we go?"
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of the Dead' is three years later. Each one spoke about a different decade and was stylistically different.
The circumstances of the world are continually changing, and the opinions of men change also; and as government is for the living, and not for the dead, it is the living only that has any right in it. That which may be thought right and found convenient in one age, may be thought wrong and found inconvenient in another. In such cases, who is to decide, the living, or the dead?
From the start I was a kid who read 'Goosebumps', and that led me to Stephen King, and then I saw 'Aliens,' and 'Night of the Living Dead,' the original. And with 'Night of the Living Dead' I was like, 'Oh my god, there's a black person who's the main character. Does anybody see that?'
The living ideas of the dead are more powerful and effective than the dead ideas of the living.
Tradition is the living faith of dead people to which we must add our chapter while we have the gift of life. Traditionalism is the dead faith of living people who fear that if anything changes, the whole enterprise will crumble.
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