A Quote by Christopher Paul Curtis
I often tell young people that as a writer you are very powerful, that you can make absolutely anything happen.
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You have a very powerful mind that can make anything happen as long as you keep yourself centered.
As a nation, China, is one of the most powerful countries around and if anyone can make something happen, if anything is in their control and they can make things happen and make things the best and look at their country as a beautiful place to come visit and our people are great they're going to do it. I feel like everything that hasn't been perfect over there is out of their hands. They've done everything they can to make it perfect.
So many young people say, 'I'm just going to see what happens.' It's so much more powerful to make things happen and have a plan.
I think Lena Dunham is a very bright and very interesting writer, and what she's accomplished at such a young age absolutely impresses me.
I don't know, but I do think that everyone has a story to tell. The question is, can they find the voice and the confidence to tell it? We lack the encouragement as young people to believe this; we very often think that writing is for clever people, which it isn't.
Mystery and disappointment are not absolutely indispensable to the growth of love, but they are, very often, its powerful auxiliaries.
Feelings about money -- saving and spending, holding back and letting go -- start very early in our lives. Stingy people have often been forced to give when they were very, very young, when they weren't ready. And generous people have often been really appreciated when they were very young.
One of the things I tell young people - and older people too - is that when things don't happen that you want, don't drown in discouragement. We say, "Oh, this didn't happen, so nothing good will happen." Don't barricade yourself.
When a young writer deliberately tries to create an effect, the result is often a little self-conscious and overdone. But why is it so hard for us to glory in what the writer has tried to do, or even in the very fact that the writer has deliberately tried to do something?
I have a terrible temper. I have absolutely no problem with getting shouty or a bit physical. It's not something I'm pleased about and it doesn't happen very often, but it's very much there.
Because even very young people are expert readers of pictures, you can convey very complex and subtle messages through pictures that you'd need loads of words to explain. Making a picture book is also a bit like making your own film - and you can make anything you want happen, however impossible!
Dad is my best mate and I can tell Mum absolutely anything. I really appreciate Mum and Dad. Why are we so close? Young parents, I think. The rock business keeps their minds young.
When young people see movies like 'Gandhi 'or 'JFK,' there is an element of romanticization of these powerful people, and young people often feel a huge distance between their own lives and the lives of these social-change heroes. But the Panthers were flawed-up people from the streets, so it's easier to identify with them.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
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