A Quote by Christopher Pearse Cranch
But now I rejoice when, in my winter studio, I can spread out my summer studies and recall through them the beautiful season and places which gave them being. Here the painter feels how small things may suggest the greater - the drop of water, image the firmament.
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In winter, you fed the birds; and in summer, do the same thing! In winter, you gave them bread; and in summer, give them water!
When death comes, it's just like winter. We don't say, "There ought not to be winter." That the winter season, when the leaves fall and the snow comes, is some kind of defeat, something which we should hold out against. No. Winter is part of the natural course of events. No winter, no summer. No cold, no heat.
It may seem rash indeed to draw conclusions valid for the whole universe from what we can see from the small corner to which we are confined. Who knows that the whole visible universe is not like a drop of water at the surface of the earth? Inhabitants of that drop of water, as small relative to it as we are relative to the Milky Way, could not possibly imagine that beside the drop of water there might be a piece of iron or a living tissue, in which the properties of matter are entirely different.
I've seen it before. There are women who spread ruin through no fault of theirs, just by being too beautiful, too ful of life and love. They can't help it. Poeple come to them as people go to a warm fire in winter.
Now, may our God be our hope. He Who made all things is better than all things. He Who made all beautiful things is more beautiful than all of them. He Who made all mighty things is more mighty than all of them. He Who made all great things is greater than all of them. Learn to love the Creator in His creature, and the maker in what He has made.
Nature confounds her summer distinctions at this season. The heavens seem to be nearer the earth. The elements are less reserved and distinct. Water turns to ice, rain to snow. The day is but a Scandinavian night. The winter is an arctic summer.
You may hang your walls with tapestry insread of whitewash or paper; or you may cover them with mosaic; or have them frescoed by a great painter: all this is not luxury, if it be done for beauty's sake, and not for show: it does not break our golden rule: Have nothing in your houses which you do not know to be useful or believe to be beautiful.
In the winter you may want the summer; in the summer, you may want the autumn; in the autumn, you may want the winter; but only in the spring you dream and want no other season but the spring!
When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.
When the ice of winter holds the house in its rigid grip, when curtains are drawn against that vast frozen waste of landscape, almost like a hibernating hedgehog I relish the security of being withdrawn from all that summer ferment that is long since past. Then is the time for reappraisal: to spread out, limp and receptive, and let garden thoughts rise to the surface. They emerge from some deep source of stillness which the very fact of winter has released.
But these dear boys and girls--there is, something to be made out of them. If now they yield themselves to Christ they may have a long, happy, and holy day before them in which they may serve God with all then hearts. Who knows what glory God may have of them? Heathen lands may call them blessed. Whole nations may be enlightened by them. O brethren and sisters, let us estimate children at their true valuation, and we shall not keep them back, but we shall be eager to lead them to Jesus at once.
I think it is no small attraction in a painter to be able to give a pleasing air to his figures, and whoever is not naturally possessed of this grace may acquire it by study, as opportunity offers in the following manner: be on the watch to take good parts of many beautiful faces of which the beautiful parts are established by general repute rather than by your own judgement, for you may deceive yourself by selecting faces that resemble your own, since it often seems that such similarities please us; ... so therefore choose the beautiful ones as I tell you and fix them in your mind.
Thus out of small beginnings greater things have been produced by His hand that made all things of nothing, and gives being to all things that are; and, as one small candle may light a thousand, so the light here kindled hath shone unto many.
Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.
The saints should always remember that God sees not as man sees; that he does not willingly afflict his children, and that if he requires them to endure present privation and trial, it is that they may escape greater tribulations which would otherwise inevitably overtake them. If He deprives them of any present blessing, it is that he may bestow upon them greater and more glorious ones by-and by.
If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.
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