A Quote by Christopher Plummer
I want to paint Montreal as a rather fantastic city, which it was, because nobody knows today what it was like. And I'm one of the last survivors, or rapidly becoming one.
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My dad, who likes genealogy, knows who was the first guy that came from France in 1655, and the guy settled in Montreal, and Montreal is an island where the city is in Quebec.
Bonjour to all the beautiful people of Montreal because this is like home to me. We had Sugar Ray Leonard here who changed the globe and took on Roberto Duran right here in Montreal. How did we get to Montreal? Because it's one of the fairest cities in the world. We were looking for a neutral site and we picked Montreal. Sugar Ray Leonard came in and Roberto Duran beat him - because we got our fair shake in Montreal.
Do not keep saying to yourself, if you can possibly avoid it, 'But how can it be like that?' because you will get 'down the drain,' into a blind alley from which nobody has yet escaped. Nobody knows how it can be like that.
In the province of Quebec where I come from, we speak French and the only cosmopolitan city is Montreal. Every time we tackle the subject of immigration and racial tension, it's an issue that concerns Montreal. Also, in Quebec, we have this added issue that we want people to speak French, because French is always on the verge of disappearing to some extent. I work, play and do everything in French.
Imagine a master painting that's never finished...when you can only build on previous work, you become limited by what you can paint...If you are in the midst of painting a forest full of tall tress and hanging vines, it is rather difficult to wake up the next day and suddenly turn that paining into the beach and ocean...We have to treat each day like a black canvas on which we can paint. Yesterday might have been paining flowers, but today you can paint cars or horses. A new day represents a chance for renewal.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
Montreal is a very cosmopolitan, sophisticated, erudite, educated, glorious city today. But it wasn't quite that way when I was growing up there. There was a lot of anti-Semitism. And I had to deal with that in an area of the city that had very few Jews.
If you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today.
In the province of Quebec where I come from, we speak French, and the only cosmopolitan city is Montreal. Every time we tackle the subject of immigration and racial tension, it's an issue that concerns Montreal.
Nobody could paint eyes like El Greco and nobody can paint eyes like Walter Keane.
I love Montreal. I've always loved the city. And when it really comes down to it I never envisioned myself playing for any other team other than the Montreal Canadiens.
Nobody knows my name. Nobody knows me at all, but they call me by the character of the last movie that I was in.
To become imperceptible oneself, to have dismantled love in order to become capable of loving. To have dismantled one's self in order finally to be alone and meet the true double at the other end of the line. A clandestine passenger on a motionless voyage. To become like everybody else; but this, precisely, is a becoming only for one who knows how to be nobody, to no longer be anybody. To paint oneself gray on gray.
An indefinable something is to be done, in a way nobody knows how, at a time nobody knows when, that will accomplish nobody knows what.
It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.
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