I didn't want my parents to know about 4chan at first because of the adult content. By the time I was 18 and could talk about it, the site had become notorious for its exploits and the adult content on there.
Sex education is very relevant in today's world where children have access to adult content across media. So it has become all the more important for parents to educate kids about sex and talk to them about it.
I did this movie called 'Lymelife' when I was 18, and you know, it was the first time I was working as an adult, a legal adult, and that was a huge growing experience for me.
I was incredibly impressed with HOTorNOT, because it was the first time that someone had designed a website where anyone could upload content that everyone else could view. That was a new concept because up until that point, it was always the people who owned the website who would provide the content.
When I was very young, I didn't talk a lot. If an adult was speaking, I was listening. I think it was the moment I turned 18 when I was like, 'I'm an adult now and have opinions and things to say, so now it's time for people to listen to me.'
Content films necessary don't go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.
When I talk football with my friends, I don't talk about Tom Brady's hair. I talk about how he handles the blitz, or how he runs his offense. I talk as a fan. I don't want pink jerseys, and I don't want dumbed-down content. I want to be treated as a real fan - because I am proud to be one.
The ordinary adult never gives a thought to space-time problems ... I, on the contrary, developed so slowly that I did not begin to wonder about space and time until I was an adult. I then delved more deeply into the problem than any other adult or child would have done.
No matter what I do, all people talk about is production design, whether it's not good enough or it is good enough. And I'm thinking: This is because my content makes people uncomfortable. It's a way for people to not talk about the content.
If you're a publisher and you forbid deep linking into your site, or have a paid wall or registration requirement, then you're making it hard to 'point to' your content. When no one points to your content, your content is harder to find because search uses links as a proxy for popularity.
What if airplane pilots said, 'my first three years were a wreck'? We worry about the safety of people at the hands of these other professions. Why don't we worry about children being at the hands of an adult, even a well-meaning adult, who doesn't know what he or she is doing?
Father died last year. I don't subscribe to the theory by which we only become truly adult when our parents die; we never become truly adult.
Writing for children, you do bear a responsibility to not include overt or graphic adult content that they are not ready for and don't need, or to address adult concepts or themes from an oblique angle or a child's limited viewpoint, with appropriate context, without being graphic or distressing.
I was, like, forty at birth. When I wasn't even a year old, I spoke, I was potty trained, I walked and talked. That was it. Then I started school and drove everybody crazy because they realized I had popped out as an adult. I had adult questions and wanted adult answers.
I called all adults by their first names, and my mum was just another adult. I was the firstborn of my generation in the family, but because I was so close to my parents in age, they treated me with a kind of adult respect. They talked to me as an equal.
I was working my first adult job, a quasi journalistic job, writing content for a website. In the offices, we had banks of TVs, papers, a constant media stream, which was unusual for 2001.
You don't wake up at 18 and necessarily become the person you want to be as an adult - you have to work hard to become them.