A Quote by Christopher Priest

Deathstroke,' in my view, is a family drama. It's like the 'Sopranos' with super villains. — © Christopher Priest
Deathstroke,' in my view, is a family drama. It's like the 'Sopranos' with super villains.
I love Deathstroke! I was 12 in 1980 when Deathstroke appeared in 'Teen Titans' #2.
When I approach villains, unless it's a drama, I'm a comedian, so I approach most things from a comedic point of view.
With all due respect to the other writers, I don't want to disparage any other writers; I don't want to have to invent a bigger villain than Deathstroke so Deathstroke can seem heroic fighting this bigger villain. I'd rather just have Deathstroke be who is, and he's kind of a bastard.
Namor has shades of grey but always ends up doing the right thing. I've played characters with an edge - played villains if not super villains - and he's an anti-hero.
It feels bad to play a bad guy. I did George W. Bush for years, and I hated him. But you have to give full voice to the villains. You have to have really convincing villains, or it's not worth anything as drama or comedy.
In reality, there are very few villains who view themselves as villains. They just have a certain agenda at a certain time.
The specific influences on villains to me is, I love the villains who are really hyper-smart. When at the end of the movie you find out what they were about, and it makes absolutely perfect sense from their point of view.
Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.
'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
Writing 'Deathstroke' presents a number of challenges to me. As a Christian, as a minister, it's difficult for me to write a comic book that all but glorifies violence. So my take on 'Deathstroke' has been to not so much celebrate violence but to deal with the consequences of violence.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
The best TV is always about family, whether it's 'All in the Family,' or 'The Sopranos' or 'The Flintstones.'
Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
I don't play just villains. I like to have parts that are not simply villains.
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