A Quote by Christopher Priest

The 'Black Panther' series was never really about the Black Panther at all. The State Department guy, Everett K. Ross, was the series protagonist, so politics was simply a logical part of the character's tool set.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
In 'Black Panther,' I tried to preserve virtually all versions and interpretations of 'Black Panther' - including the Jack Kirby one, which was really tough to do - and make it work within current continuity.
With 'Black Panther,' black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.
When they call you and say, 'So you want to play 'Black Panther?'' if you know what 'Black Panther' is, there's no way in the world you're going to say no because there's a lot of opportunity for magic to happen.
The cool thing is, I was a little nervous about how they were going to handle Black Panther in his own movie, but then when I saw 'Civil War' and just the perfect way they handled him in that movie, it made me even more excited about a Black Panther film.
It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.
When I was writing 'Black Panther,' on one level, I was angry because DC would never let me write 'Batman,' so I was doing Marvel's 'Batman,' and Reverend Achebe became sort of the Joker to Panther's Batman.
'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.
Electoral politics was always an objective of the Black Panther party, so Barack Obama is a part of what we dreamed and struggled and died for.
The panther is sleek. The panther is sneaky. The panther is covert. Meanwhile, the gorilla will show up and bang on his chest and make noises to warn you about what is about to happen if you continue to cross the line.
A black shadow dropped down into the circle. It was Bagheera the Black Panther, inky black all over, but with the panther markings showing up in certain lights like the pattern of watered silk. Everybody knew Bagheera, and nobody cared to cross his path, for he was as cunning as Tabaqui, as bold as the wild buffalo, and as reckless as the wounded elephant. But he had a voice as soft as wild honey dripping from a tree, and a skin softer than down.
Black Panther is a historic opportunity to be a part of something important and special, particularly at a time when African Americans are affirming their identities while dealing with vilification and dehumanization. The image of a black hero on this scale is just really exciting.
When I was younger, I had these romantic ideas about the Black Panther Party and what it meant to be a part of the civil rights movement. Then we're here, and it's dangerous. And it's dangerous to say, 'Black lives matter.'
We are fortunate to have such an esteemed filmmaker join the Marvel family. The talents Ryan [Coogler] showcased in his first two films easily made him our top choice to direct 'Black Panther.' Many fans have waited a long time to see Black Panther in his own film, and with Ryan we know we've found the perfect director to bring T'Challa's story to life.
The Black Panther Party was not a gang. They grew out of a young black intelligentsia on college campuses.
We jumped into the protest of Vietnam before the Black Panther Party ever started, before the Black Panther Party was even thought of. In fact, it was late 1965 and 1966 that the anti-Vietnam War, anti-draft to the Vietnam War protest started at University of California, Berkeley.
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