A Quote by Christopher Priest

With all due respect to the other writers, I don't want to disparage any other writers; I don't want to have to invent a bigger villain than Deathstroke so Deathstroke can seem heroic fighting this bigger villain. I'd rather just have Deathstroke be who is, and he's kind of a bastard.
I love Deathstroke! I was 12 in 1980 when Deathstroke appeared in 'Teen Titans' #2.
Deathstroke is a villain. Don't come to the book with any expectations that he will, in any way or sense or form, act heroically. He's a bad guy, and that's the fun of it.
'Deathstroke' became an interesting challenge - not just because of his ethnicity, but because he's a villain. I've never written a villain as a protagonist of a series before. I thought this could be an interesting challenge. That's really what got my attention, and it just went from there.
Writing 'Deathstroke' presents a number of challenges to me. As a Christian, as a minister, it's difficult for me to write a comic book that all but glorifies violence. So my take on 'Deathstroke' has been to not so much celebrate violence but to deal with the consequences of violence.
Some people might shy away from a character like Deathstroke because, you know, all of the blood-letting and the swordplay and violence and all that other stuff.
I was played the villain so much because I was bigger and stronger than most, and they cast me as the villain everywhere I went.
Empathy is much bigger than sympathy. When the character is empathised with, that means you have succeeded as an actor. So even if it's a villain, the audiences don't hate you... they understand why you have turned into a villain.
Deathstroke,' in my view, is a family drama. It's like the 'Sopranos' with super villains.
Fortunately, the DC Universe is full enough and replete enough with every kind of character that you could want, that it's not that hard to find the right character. Sometimes it's nothing more than an Easter egg, or a name drop, and sometimes it's someone like 'Deathstroke,' who is a huge part of the DC Universe.
I want to be a villain with steel hands or something. I want to be the crazy, world-domination-obsessed villain. I would love to be a Bond villain.
I wanted to demonstrate that Deathstroke does not need to solve every problem with his fists.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
I would love to, on one project, play a villain. Any kind of villain. Any kind of antagonist. Somebody who's just rotten but fun, or the anti-hero.
One of the best decisions we made on the 'Arrow' pilot was to have the Deathstroke mask. Within 30 seconds, you knew you were watching a DC comics show.
In my opinion, I feel like all versions of 'Deathstroke' are valid. Just like with 'Black Panther,' I felt like it wasn't good for a writer to say another writer's work was invalid or never happened.
I like to see writers reach bigger and bigger audiences, and stand-alones have allowed some of them to do just that.
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