A Quote by Christopher Reeve

Maybe one way I am original is that at heart I really am a classical actor. I haven't had my chance yet in the commercial world to show that. Movies aren't really made about classical people so much any more.
For the moment, I am more focused on classical chess rather than rapid and blitz, as I am hoping to make my move in the classical World championship cycle.
When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
We have to go and show these people what classical music is. We say sometimes that classical music has a small audience, but it's because people don't have the chance to be closer to it.
I really hope that I can continue to do classical theatre - it's something I am really passionate about and I'd love to explore.
I've never really taken myself seriously as an actor, It is surprising the amount of people who think I'm going to be really dumb. I think they think anyone who has done teen movies is just an idiot. I don't know, maybe I am. Some of the best actors, if you talk to them, they're not the smartest people in the world.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.
When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.
I chose the American ones, more or less the last five years of the silent era, because those are the ones that aged the best in the way they tell the story. One, it's about human beings with context. It's a very classical story with feelings, with laughter, melodrama and it really works, the good ones - Murnau's American movies, John Ford's Four Sons, King Vidor's The Crowd, or the (Josef) von Sternberg movies. You can watch it now and it still works. I mean they are really, really good pieces so this is where I tried to work.
'The Shining' is operatic and sensational and... really shocking. It has this amazing meld of classical music and modern interpretations of classical music, and incredible imagery. From the set design to the costumes, there's so much to unpack.
Singing is just another outlet to express what I feel and to show everyone who I really am. I really don't talk about my personal life that much in interviews because that's my life, but with music, the way I write explains who I am.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
'Godfather' was very classical - the way it was shot, the style - the whole driving force of it was more classical, almost Shakespearean.
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