A Quote by Christopher Reeve

The character is a piece of fiction. You are yourself, however, and that makes you interesting, because you're alive and you're a human being. — © Christopher Reeve
The character is a piece of fiction. You are yourself, however, and that makes you interesting, because you're alive and you're a human being.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
You will find true success and happiness if you have only one goal, there really is only one, and that is this: to fulfill the highest most truthful expression of yourself as a human being. You want to max out your humanity by using your energy to lift yourself up, your family and the people around you. Theologian Howard Thurman said it best. He said, “Don’t ask yourself what the world needs. Ask yourself what makes you come alive and then go do that, because what the world needs is people who have come alive.”
I do, however, feel reasonably strongly the sense that the job of a piece of argumentative scholarly non-fiction is not the same as the job of a piece of fiction.
I think that is so interesting. It is le Carré. There must be so much of him when he was younger. He's an interesting character. I don't want to say the word "passive" because there is something very active about the way he is passive, if that makes any sense: the nature of his watching and his listening is active. It is always so alive because he is, essentially, a spy.
As the director of an opera, it is my responsibility to unify the style of the particular performance, but one can certainly approach the piece from different points of view. That's what makes it interesting and keeps it alive.
Being in front of an audience makes me feel alive. Being with friends makes me feel alive. I’ve done some crazy stuff in my time and yet I can feel infinitely alive curled up on a sofa reading a book. So, what makes me feel alive? I guess it’s realizing I am part of the world around me.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
The key of writing fiction isn't just to remove something that the reader or listener can easily imagine. It's not a matter of being coy, or withholding information. It's allowing for multiple possibilities, recognizing the complexity of human behavior, and making the world of a piece of fiction as marvelously confounding as the world we live in.
When you're young, you don't especially think of yourself as being young. You're just alive and everything's interesting and you don't think of things in terms of age because you're not conscious of it.
Being another character is more interesting than being yourself.
I think I would choose to do things because they are interesting, because I like a character or because it's very well-written. Or because it makes sense.
When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.
I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.
I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.
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