A Quote by Christopher Reeve
When I first began acting, I assumed an intellectual responsibility attached to my profession, which I had accepted for a long time. My father taught me that an actor had to have a social and political conscience, and that the work that he does has to reflect from that.
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I began to see myself as someone who can help others understand diversity rather than feeling like a social outcast. Ellen taught me to not care about other people's opinions. She taught me to be truthful. She taught me to be free. I began to live my life in love and complete acceptance. For the first time I had truly accepted myself.
I think you have a social responsibility as the villain, which is pretty different from the hero's responsibility. If you have any kind of a social or political conscience at all, the first thing you want to do is make malevolence recognizable to people, almost as a kind of teaching aid.
My father owned some Laundromats, and when I was 10, he had me in there making change and being an attendant. He taught me that on weekends, you had to get up and go to work. That has been a big help in acting.
I had done drama at university, but I never thought I could be a director. There were so few female directors then. I just assumed you had to be a man to be a director. I also assumed you had to be extremely authoritarian and extremely intellectual, none of which I was.
Quite honestly I never had a desire to be an actor. I tell people, I did not choose acting; acting chose me. I never grew up wanting to be an actor. I wanted to play football. In about 9th grade an English teacher told me I had a talent to act. He said I should audition for a performing arts high school so I did on a whim. I got accepted.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
As an actor, I was not accepted for the longest time. But it did not deter me, as the audience had accepted me. I never compared myself with any other actors. I never had any game plan and took whatever came my way.
Lee Strasberg told me I had talent. Real talent. It was the first time that anyone, except my father--who had to say so--told me I was good. At anything. It was a turning point in my life. I went to bed thinking about acting. I woke up thinking about acting. It was like the roof had come off my life!
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
When my mother died, my father's early widowhood gave him social cachet he would not have had if they had divorced. He was a bigger catch for the sorrow attached.
I had no idea what it took to be an actor. Then all of a sudden I found myself cast in a TV drama. The director was very harsh with me. One time, he told me this would be my first and last acting job. I seriously thought that acting was not the right career for me.
When my father began to work with President John. F.Kennedy, we moved to Washington, D.C. I was fortunate in my pre-adolescent years, as my social and political consciousness was developing, to live at the epicentre of that dynamic, idealistic, and inspiring moment in U.S. political history, with its ethos of personal and civic responsibility, summed up so succinctly in his exhortation: "Ask not what your country can do for you, but ask what you can do for your country."
I grew up at a time where I think most people had a social and political conscience. Some of the biggest changes in our country's political history happened at the time I was growing up, so I was raised to be a part of those things and to participate and I will continue to do that as much as I can.
I definitely had those moments, like any actor, when you get anxious and think, 'When am I going to work again?' But I would feel that way even when I had every offer in the world coming to me. Then I became a father and I felt a little more of the anxiety that came with the responsibility of being a parent.
Few have had the good fortune I have had. My start in the business was with people like Peter Brooks and Michael Redgrave. Also, growing up as I did with a father in the military taught me to accept discipline and responsibility.
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