A Quote by Christopher Rice
My experience of coming out was very much centered around the bar scene. And what happened for me is that when I turned 18 and was old enough to get into certain gay bars in the French Quarter, I became a regular customer.
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The idea behind Jinkx is that she's a single mother and failed actress. One time she went out to a gay bar with her son, who's a gay adult, and started singing torch songs on the bar and became a hit. Now she's every gay boy's favorite cabaret act.
I remember being in jail, like, 'Man, I'm not old enough.' And then I thought, 'I just turned 18.' I had just turned old enough to be in big people jail.
The nightlife in Baltimore is very mixed. Any gay people I know go to the hipster bars; they don't go to the gay bars. Start your night at the Club Charles, and then you can meet people to go other places. The Charles has been Baltimore's favourite cool hipster bar forever.
Everybody is pretty good in the first quarter. Second quarter, you have a little bump or two on you coming into the half. By the time the third quarter comes around, you're tired, you're laboring. When you come to the fourth quarter, it calls on your character.
I was a French Quarter rat from the moment I could get on a bus by myself and go to the French Quarter. I played music most of my early life and it just seemed that to entertain people was a really good thing to do.
When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.
None of our bars smell like a bar at all - that's our number one rule - and we use certain scented candles and certain types of incense in order to give our bars a specific feel and ambiance.
I've once gotten in trouble with certain gay activists because I'm not gay enough! I am a morose homosexual. I'm melancholy. Gay is the last adjective I would use to describe myself. The idea of being gay, like a little sparkler, never occurs to me. So if you ask me if I'm gay, I say no.
My dressing room was right on the water, and I would climb out of my window and walk around on the roof, whenever I needed time to think, or whenever I couldn't get a scene together. My father even came out there on the roof with me. We just walked around and talked up there, just to get away from everything, and nobody could get to us there. I really do love that place very much. It holds a very deep-rooted place in my heart.
Whatever I do today is the whole continuum of my experience. Like John Dewey said in his book ‘Art as Experience,’ you can’t separate experience from the work of art. So, if I write for the symphony today, you’re listening to everything that’s happened to me since I was 18 years old.
It's not an exaggeration to say that they saved my life. Ray Quinn, then Cam and Ethan and Phil. They turned their world around for me, and because of it, turned mine around with it. Anna and Grace and Sybill, Aubrey too. They made a home for me, and nothing that happened before matters nearly as much as everything that came after.
I don't get too much enjoyment out of sitting around the campfire and looking at old photos. That's just not me. I don't get the thrill of doing that. So, I don't sit around listening to my old records.
My mom sent me to regular high school because she wanted me to have that experience and not say that I missed out, but I didn't like it at all. I'm more comfortable in the world that I'm in, I grew up in it so when I get around normal kids in regular high school I don't know what to do. I feel more secure in an adult environment.
I remember when I was maybe 27 years old and kind of at the height of my movie stardom - it was around the time of the Oscar and this and that. I think I was very much believing my own hype, which how could you not? I was sitting with my dad, feeling great about my life and everything that was happening, and he was like, "You know, you're getting a little weird...You're kind of an asshole." And I was like, "What the hell?" I was totally devastated. But it turned out to be basically the best thing that ever happened to me.
Coming out as gay was an easy enough matter for me, since I worked in a profession where being gay had a long history of being accepted.
Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one in ten enjoyed the place and said he'd come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it another way, it didn't matter if nine out of ten didn't like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like the place.
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