A Quote by Christopher Timothy
My agent suggested me to EastEnders casting director, Julia Crampsie, who I already knew. I'm delighted that Julia said, He's not old enough is he?' My agent told her how old I really am and she said Oh'!
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It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
She's beautiful,' he murmured. 'She's a metre across the hips, easily,' said Julia. 'That is her style of beauty,' said Winston.
I was almost 8 years old when I was watching a kid on a TV commercial, and I told my mom that I wanted to do the same thing. She said that I would need to get an agent and that she would research it.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
How old are you? I asked her. "Old enough to know better." she said.
When my agent called me up and said, "Do you want to be in a movie called Sharknado?" I said, "What is it about? Is it really about sharks falling out of the sky and eating people?" And she said, "Yes." And I said, "Definitely. That is going to be a huge hit. That is going to put to rest the Home Alone dad image. I'm going to be the Sharknado drunk instead, hopefully." And I was right. I don't know how I knew that, but I just knew that Sharknado was going be a huge hit.
I once asked my oldest daughter [Julia Marie] if she thought about changing her name in school and she said, "No, I'm a Pacino. That's my name." I just wondered how it would feel, how people would treat her, but she's adjusted so marvelously.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
Dr. Armonson stitched up her wrist wounds. Withen 5 minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? Your not even old enough to know how bad life gets." And it was then Cecelia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a 13 year old girl.
I got a young black woman agent, and she kinda just knew what I would be attracted to. She sent me this pilot for 'Insecure.' I never saw myself as a comedy director, but when I read those pages, I said, 'Wow - this is my life on the page.'
When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'
I sang those old gospel songs for my mother, and she said, is that you? And I said, yes, ma'am. And she came over and put her arms around me and said, God's got his hands on you.
My daughter did this production of 'Romeo & Juliet' when she was younger, and this agent said she should work, and I said, 'You know what? I'd rather just have her go to school.'
My first agent told me to change my name or I'd only play Jewish parts or Indians. Of course I refused to change it. Shortly thereafter she came up to me and told me I had to keep it, because her numerologist said it was very, very good.
At one point, Lucille's agent wanted to have me fired, telling her that my eyes were bigger than hers. When I head this, I told her that if I had her looks and talent, I'd keep me and fire the agent!
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