A Quote by Christopher Tin

I'm just trying to survive and stay relevant! That's all anyone in the music business can ask for. — © Christopher Tin
I'm just trying to survive and stay relevant! That's all anyone in the music business can ask for.
There's so many people in the music business or even in general who will tell you that you can't do this or that just because you haven't already had success but I feel like anyone can do anything they put their mind to as long as they stay devoted and stay passionate.
When you're trying to do something because you're trying to stay relevant or it's the thing to do, then it's a chore. But when you just have fun with it, then it's fun.
It is enough if I can be relevant. It is more about me keeping up with youngsters than influencing youngsters. So I just want to stay relevant, really.
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
Music Row gets dragged through the dirt, but they're just trying to survive.
It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
I have been in the most dangerous of places just in order to survive. An intelligent man would stay in a safe place to survive.
I am definitely less and less interested in music made by people that exist today, people that are living. I just see them as part of the whole stupid process of the music business, desperate (even if they feign indifference) to get noticed, trying to "make it" in the stinking music business, to become "famous" etc, and it disgusts me.
I have so much music inside me I'm just trying to stay afloat. I don't tend to write for a particular band - you have to just write the songs and then let God into the room and let the music tell you what to do.
I feel pressures to stay relevant. To stay interesting and interested. To stay at the top of my game and expand.
Today, companies have to radically revolutionize themselves every few years just to stay relevant. That's because technology and the Internet have transformed the business landscape forever. The fast-paced digital age has accelerated the need for companies to become agile.
I have so much music inside me I'm just trying to stay afloat.
Music has always helped me stay creative and grounded because I'm traveling and shooting and trying to understand other people. Music was something I could just sit in a room and make with my friends.
My responsibility in the past, when I was sleeping outside every night, was just to survive. My responsibility now is to stay real, stay grounded, and just tell the truth.
Business models that are relevant today are not relevant tomorrow and were not in existence yesterday.
I'd say dance is as relevant to us as, say, pop. It's as relevant as electronica, as relevant as ambient or experimental music. I wouldn't say it's something we spend more time on than any other genre.
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