A Quote by Christopher Titus

We kinda hated sitcoms when we sat down and talked about this. We wanted to do something that was in the sitcom vain but totally different. — © Christopher Titus
We kinda hated sitcoms when we sat down and talked about this. We wanted to do something that was in the sitcom vain but totally different.
And what had he wanted? He'd never sat down to think about it. But mostly, he wanted yesterday to be different from today.
I was quitting…As I was taking those steps I was saying, ‘Somebody please stop me.’ Lionel Taylor, our receivers coach, said, ‘Hold up a minute,’ and he sat down in the car and we talked. I don’t know what we talked about but I was glad we talked because I went back. And that’s when it started.
As much as I loved Pacino and De Niro and wanted to be a dramatic actor, I also grew up on sitcoms. I grew up on 'M*A*S*H' and 'All In The Family' and 'Cheers.' And then around this time - this would have been '95, '96 - I was so into 'Friends' and 'Mad About You,' the idea of being on a sitcom became a very real thing that I wanted.
I love sitcoms, and I grew up on sitcoms. That's my tasty junk food. So I wanted to create a sitcom and have some really quirky characters, because most of the stuff they make now is just so marginalized. How interesting is a white guy who's 28 years old and lives in New York? What story have we not seen about a character like that? Just as a writer, it's so much easier to come up with comedy when you have a really oppressed Indian boy. Or a mother who is an addict but still has to take care of her kids.
It was not enough to be the last guy she kissed. I wanted to be the last one she loved. And I knew I wasn’t. I knew it, and I hated her for it. I hated her for not caring about me. I hated her for leaving that night, and I hated myself , too, not only because I let her go but because if I had been enough for her, she wouldn’t have even wanted to leave. She would have just lain with me and talked and cried, and I would have listened and kissed at her tears as they pooled in her eyes.
It's exciting to try to do something in a totally different way - to bring out something totally different in me as a filmmaker. It's time to try something totally different.
Sitcoms are incredibly limiting. When you do a sitcom and it becomes a signature part for you, it's harder to do something else; but if you do a drama, you can get lost in it and have a role to do other things.
When I really like something, I try to put my all into it. This is something thats different from when I was growing up on the basketball court, running up and down, scoring 30 points or something. This is totally something different.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
But let me tell you, this gender thing is history. You're looking at a guy who sat down with Margaret Thatcher across the table and talked about serious issues.
Definitely not a sitcom, that's my first condition. No sitcoms.
I remember when I was in art classes, I hated following the assignments. And I would get in trouble for doing something totally different or taking it in a weird direction.
When I was a young kid, the best stuff on television was always the BBC period dramas - it was what we sat down as a family to watch and what people talked about and looked forward to.
I wanted to use a totally different part of my brain. It's quite scary at times. I went for learning to fly because it was most difficult of all. The insurance man just sat there and licked his lips when I told him.
I'm just gonna do my own kinda swag of kinda dumbing something down and speaking some knowledge.
When I first started out, I kinda just wanted to do comedy stuff, and thankfully, I had a fair amount of success. I've been able to be on, I think, almost virtually every American sitcom.
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