If you're going to play the bargaining game, you just need to make the other side mad. You want them to get a little annoyed. Then you know that you've come in with a good price.
Like a good play-caller, a good TV guy, if you get going on a good conversation, you can ad-lib a little bit. You keep it going. Just like in a game, if you call a couple plays and they're working, you come back to them.
You come in on practice squad and you know you're not going to play in the game, you know you're not going to get any reps. It's frustrating... you don't want to just practice your whole life. You want to practice to play.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
People want to do good things, they just need a prod sometimes, and what Twitter and other technologies that connect people are showing us is that if you make it a little easier for people then you will enable them to do what they want to do, to help people out, to form groups and do good.
I get mad at football coaches who are afraid to call for a big play early in the game, you know, because they want to still be in the game at the end, and then it turns out they have no chance but a Hail Mary or something similar to that at the end.
When you first come to practice, you learn the guys. You're going to play with them for the next couple seasons. You just need to know what shots they like, how they run, how good a lead they are. You need to know your personnel.
As soon as you get complacent with where you are in a game, that's where you come and then it bites you in the rear. So you just want to make sure that you're keeping that energy high, when guys are making plays you're getting excited for them and you're staying locked in through all 60 minutes of the game.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)
Some game. If you get on the side where all the hot-shots are, then it's a game, all right - I'll admit that. But if you get on the other side, where there aren't any hot-shots, then what's a game about it? Nothing. No game.
With brothers you become friends. Some you hang out with more than others. You talk to one about the other a little more. You get mad at them. Then, you love them. Then, you apologize. You have to apologize whether you want to or not. You have to. That's your brother.
As you get older, you know what you're good at and you know what you're not so good at. Your ego comes out of it, and then you realise you can't play every game, there'll be certain games where you won't be so affected... so you've just got to concentrate on what you are.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
Let me tell you something, the end game, Paul, for Congress and this president - and I don't know how many members of Congress even realize the game that they are either being used in or a pawn in. But believe me, they'll take the universal health care coverage over what skin they do have in it. They're going to come out - this system is going to come out the other side dictorial [sic] - it is going to come out a fascist state.
We tend to want to stay here in Louisiana as Louisiana people. We've just got to be mindful that there are other things out there, and we really need to open our kids' minds to get them to go to college. Get them to get away. Then come back and help the next ones behind us.