A Quote by Christopher Walken
Can I confess something? I tell you this as an artist, I think you'll understand. Sometimes when I'm driving on the road at night I see two headlights coming toward me. Fast. I have this sudden impulse to turn the wheel quickly, head-on into the oncoming car. I can anticipate the explosion. The sound of shattering glass. The flames rising out of the flowing gasoline.
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I'm literally driving in the middle of the night, and my phone rings, and my manager says, 'How would you like to be the host of the Daily Show?' I get out the car, and I didn't have legs. You know in those movies where there's an explosion? But instead of the sound of the explosion, you hear the silence. That's literally what happened.
It's like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.
Driving a fast/luxurious car has always been something I aspired to. For some reason, it makes me super happy being behind the wheel of these cars.
When I was 7, an old lady was driving too fast in my neighborhood and hit me with her car. I was running out of the house, and when I got halfway into the street, my mom saw the car and yelled for me to run back. As I turned around the car hit me, dragged me five houses down the road, and I fractured my collarbone.
E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
Every scandal has its road kill: the pedestrians who stumble into the headlights of the oncoming 18-wheeler.
As J.J. has said many times, when you start a series you want to have a destination. It's like driving a car, when you pull out of your garage and you head out driving down the road, you have a destination, okay?
Well, it is so difficult right now when you look out on the road and how fast people go and the more and more cars you see out there, for teenagers, you'd think a kid that literally, a few years before, was sitting back in a car seat in the back seat is now behind the wheel.
Sometimes I'll be channel surfing or something, and I'll see a glimpse of something, and I'll quickly turn the sound down, and then what I look at, that's an interesting movie. But it's not me who made it. It's whoever that guy I was 10 years ago who made it.
When they searched my car, they said that they found a gasoline canister and I think duct tape. Who wouldn't have a gasoline canister on them when driving 3,000 miles across country?
Imagine driving a car that isn't working well. When you step on the gas the car sometimes lurches forward and sometimes doesn't respond. When you blow the horn it sounds blaring. The brakes sometimes slow the car, but not always. The blinkers work occasionally, the steering is erratic, and the speedometer is inaccurate.
You are engaged in a constant struggle to keep the car on the road, and it is difficult to concentrate on anything else.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
sometimes i'd wake up at two or three in the morning and not be able to fall asleep again. i'd get out of bed, go to the kitchen, and pour myself a whiskey. glass in hand, i'd look down at the darkened cemetary across teh way and the headlights of the cars on the road. the moments of time linking night and dawn were long and dark. if i could cry, it might make things easier. but what would i cry over? i was too self centered to cry for other people, too old to cry for myself.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
We don't have any CGI with any of the car stuff. I think it's a real experience when you see this car going through really fast really wild and you see me driving a lot of the times and also a big chase in downtown Atlanta. It's just incredible.
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