A Quote by Christopher Walken

I know that whenever I think about death, I come up against a stone wall. — © Christopher Walken
I know that whenever I think about death, I come up against a stone wall.
We may be up against a stone wall, but we don't have to bloody our heads against it unless we choose to.
Good-bye -- if you hear of my being stood up against a stone wall and shot to rags please know that I think that a pretty good way to depart this life. It beats old age, disease or falling down the cellar stairs.
Maybe love, too, is beautiful because it has a wildness that cannot be tamed. I don't know. All I know is that passion can take you up like a house of cards in a tornado, leaving destruction in its wake. Or it can let you alone because you've built a stone wall against it, set out the armed guards to keep it from touching you. The real trick is not to let it in, but to hold on. To understand that the heart is as wide and vast as the universe, but that we come to know it best from here, this place is gravity and stability, where out feet can still touch ground.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
We do learn something about ourselves when we are up against the wall, and we do most certainly come out stronger.
Why would twenty-six-year-old "teenagers" care about political ramifications if their backs are not up against the wall? But if their backs are against the wall they may be plucked to fight in Iraq, and all of sudden they become politicized real quick.
"Stand up against the wall!" That's what everybody gets offered, especially women. When women started appearing on TV again in something other than the girl or the mother role it was all, "Get up against the wall," or, "The skin underneath her fingernail would tell me that she," you know, forensic stuff. Oh, God gross. Now, they're hunting terrorists.
Think about the holes children make when they dig in the sand on the seashore. When the waves come in, the holes are swallowed up by the ocean. Similarly, when we know Christ, our physical death is overwhelmed by the love and grace of God. Death is swallowed up in the victory of Christ.
Sometimes you'd come up against a brick wall... or sometimes you go into a fill and you'd know halfway through it was going to be disastrous.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
I've never been a big person. I was about 14 stone when I was working, but when you go up to 18 stone then you know you've got issues.
When historians get to write the truth about this completely unnecessary referendum [Brexit] they won't say it was a vote demanded by the British people to decide their national destiny. They will say it was the final battle in a decades-long Tory Civil War, at the heart of which was a fight to the death between two Old Etonians, David Cameron and Boris Johnson, for the hollow crown. A sort of Eton Wall Game. Where the poorest are put up against the wall and shot.
We should think more about it, and accustom ourselves to the thought of death. We can't allow the fear of death to creep up on us unexpectedly. We have to make the fear familiar, and one way is to write about it. I don't think writing and thinking about death is characteristic only of old men. I think that if people began thinking about death sooner, they'd make fewer foolish mistakes.
The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.
Temptation, if it is not to conquer, must not fall like a bomb against another bomb of instantaneous moral explosions, but against the strong walls of an impregnable fortress strongly built up, stone by stone, beginning at that distant day when the foundations were first laid.
We know we're up against the wall. We know how difficult a challenge it is, being in the minority.
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