A Quote by Christopher Walken
There are places I don't want to go. Making movies on tops of mountains, in the desert, playing scenes while icy torrents of rivers rush by. The jungle. It's very uncomfortable.
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I've made a couple of movies in the jungle, and I don't want to go back to the jungle.
My engagement with mountains, rivers, and forests has been right from my childhood. I have lived in the jungles by myself; I have floated down rivers. So, I didn't experience these rivers, mountains, forests as some mythological figures but as thriving, living entities.
I would have to say movies are my favorite. I love doing TV, too, but it's always rush, rush, rush. With a feature film, those moments and scenes get a chance to breathe, because you don't have to accomplish as much in one day.
I grew up going around with family, camping and living in a very beautiful mountain valley, knowing the names of the mountains and the rivers. I think it's no accident that I ended up studying the geography of India and knowing the names of the mountains and the rivers and all of that. I loved it. I think it gives a sense of space and a can-do-ness that was very powerful.
The tops of mountains are among the unfinished parts of the globe, whither it is a slight insult to the gods to climb and pry intotheir secrets, and try their effect on our humanity. Only daring and insolent men, perchance, go there. Simple races, as savages, do not climb mountains,--their tops are sacred and mysterious tracts never visited by them. Pomola is always angry with those who climb the summit of Ktaadn.
Before practicing meditation, we see that mountains are mountains. When we start to practice, we see that mountains are no longer mountains. After practicing a while, we see that mountains are again mountains. Now the mountains are very free. Our mind is still with the mountains, but it is no longer bound to anything.
Men go forth to marvel at the height of mountains, and the huge waves of the sea, the broad flow of the rivers, the vastness of the ocean, the orbits of the stars, and yet they neglect to marvel at themselves. Variant: Men go abroad to admire the heights of mountains, the mighty billows of the sea, the broad tides of rivers, the compass of the ocean, and the circuits of the stars, and pass themselves by.
Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way!
Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
I'm very excited to be able to take the Jungle Kitty experience to different places and travel with it and meet all the different jungle kitties out there.
You get a very different type of education if you go out to the desert, to the places of power, places where it is easy to cross over from one dimensional plane to another, where power hovers, so to speak.
You want to throw yourself in as many uncomfortable places as possible, if you want to build muscles in uncomfortable parts of your body and grow as an artist.
The way I reacted to 9/11 was I decided I didn't want to do any movies that are sad or critical. I decided I didn't want to make my living depressing people or making them go home sick, so I just decided I wanted to do comedy for a while and study it for a while. It doesn't mean everybody should do that, but that was my reaction.
What is most striking in the Maine wilderness is the continuousness of the forest, with fewer open intervals or glades than you had imagined. Except the few burnt lands, the narrow intervals on the rivers, the bare tops of the high mountains, and the lakes and streams, the forest is uninterrupted.
The knowledge that refuge is available, when and if needed, makes the silent inferno of the desert more easily bearable. Mountains complement desert as desert complements city, as wilderness complements and completes civilization.
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