A Quote by Christopher Walken

In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater. — © Christopher Walken
In the theater you rehearse for a minimum of five to six weeks. And then you get to play it. Which means you get to get better. That's the great thing about the theater.
At eight o'clock the curtain goes up and that's it, you're out there with yourself, the audience, the other players. There's no "take two" business. You're on. The great thing is the rehearsals, too. When you're bouncing around on film sets and TV sets you don't really get the opportunity to - generally speaking - rehearse much. With theater you're kind of four-to-five weeks locked down in the room with the guys figuring stuff out. It's back to play school.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
I'm someone who started in the theater and really couldn't stand repeating the show. My favorite part of acting is the five or six weeks of rehearsal that you get. I like doing previews; I like the opening week because my friends and family come, and then after that, I don't want to do it anymore.
The great thing about doing theater is that you get to do it better the next night.
The thing is this: I've got an amazing career in England that couldn't possibly get much better. I do the best theater around, I work at the National Theater, the Old Vic - which I'm sure you've heard of because it's the one Kevin Spacey runs - and I play the most amazing roles and work with the most amazing directors.
If you miss something in the theater, you are working through it; you'll get it tomorrow. It's easy to forgive yourself in the theater. On television, you do one shot. All you've done rehearsal-wise is be blocked. There is all this pressure to get it right then.
I often think a play gets better and better as you hit a stride because you really find new things. One of the great privileges of doing theater is you get so many at-bats - you get to try it eight times a week and every audience is different, everyday is different.
We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.
In my experience in series TV, if you have a good crew and a great cast, it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other, and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
The great thing about theater is that when it's great, you'll remember it for the rest of your life. But if you go see ten shows, you'll only get five - if you're lucky - that'll give you that experience. But the rest, at the very least, will be interesting.
On stage, you rehearse for five weeks, and it goes out to 300 people. In 'EastEnders,' you get ten minutes to rehearse, and seven million people watch it!
Musical theater is great; you get painted up, you get to play princesses and witches, and you sing. The joy alone of that can really carry a lot.
I'm a theater actress. I love rehearsal. I could have six weeks of rehearsal and think it's not enough. But on film, you don't get that luxury.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
I don't want to play a laptop live if I'm just going to sit there, so it's also a problem of working at my movie theater job long enough to get money to get better equipment.
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