The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings.
You have to get beyond your own precious inner experiences. The actor cannot afford to look only to his own life for all his material nor pull strictly from his own experience to find his acting choices and feelings. The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
No other sentiment draws people to Jerusalem than the desire to see and touch the places where Christ was physically present, and to be able to say from their very own experience: 'We have gone into his tabernacle, and have worshipped in the places where his feet have stood.'
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
An actor only has his own understanding and experience to work with.
Wise, compassionate and accessible, David Benner's The Gift of Being Yourself is truly a gift to the dedicated seeker. The author draws on his professional experience as a psychologist and his own lifelong vocation as a Christian. The result is a book that felicitously weaves together the insights of psychology and Christian spirituality.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
A good writer refuses to be socialized. He insists on his own version of things, his own consciousness. And by doing so he draws the reader's eye from its usual groove into a new way of seeing things.
Intersectionality draws attention to invisibilities that exist in feminism, in anti-racism, in class politics, so, obviously, it takes a lot of work to consistently challenge ourselves to be attentive to aspects of power that we don't ourselves experience.
He who draws upon his own resources easily comes to an end of his wealth.
The great poet draws his creations only from out of his own reality.
Each blade of grass has its spot on earth whence it draws its life, its strength; and so is man rooted to the land from which he draws his faith together with his life.
Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
Bailey might not have great intelligence or abilities, but his whole aim, thought and study was that of the born leader--to look out for himself; and he did it with that born-leader's confidence and intensity that draws along the ordinary uncertain man, who soon confuses his own interest and his own safety with that of the leader.
There's so much emphasis on Daniel Day-Lewis and his process, which is appropriately his own. But I was just blown away by his generosity as an actor. He's so giving as an actor that he just naturally commands the focus on set.
Hope is a prodigal young heir, and Experience is his banker; but his drafts are seldom honoured, since there is often a heavy balance against him, because he draws largely on a small capital, is not yet in possession, and if he were, would die.