A Quote by Christopher Walken

As an actor you become that lighting rod between the person who made the play and the audience. — © Christopher Walken
As an actor you become that lighting rod between the person who made the play and the audience.
An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.
I must have been a really tough kid to corral. I got disciplined quite frequently. I guess that would be the best way to say it. The rod, I wore out the rod. You know, Spare the rod and spoil the child? Well, I wore out the rod.
The theater is a communal experience, and whatever the emotional connection between an audience member and the actors onstage, it ripples through the whole audience. Part of the fun of the play is being a part of that audience.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
The script is so important... Even if you have a huge entourage or big lighting trucks, the most important thing is the space between the actor and the camera.
The audience is not the least important actor in the play and if it will not do its allotted share the play falls to pieces.
There's something about that relationship between actor and audience. Whether you get it on Broadway or in a fine local playhouse, there's no greater drug. Every time I get to do TV, film and a play in the same year, it's my dream come true.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
It was tough to not be judgmental of a person like Harshad Mehta. But that's where the training of an actor comes into play. My job is to create that character and present him to the audience. If even one per cent of judgment creeps in, then the whole performance will be affected.
As an actor, the only thing we can do is play the truth at that moment. Because at any point in time if you play the future, or you play that you know something that the audience does not know, it kills the illusion of reality.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
That's the reality, and you can't overlook it. Rod can be a free agent, but we don't want get ahead of ourselves. Rod is the starter now and at some point we'll address that. Rod's got the job and the experience and you hope Gerald learns from him.
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