A Quote by Christopher Walken

When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. — © Christopher Walken
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop.
When you're onstage and you know you're bombing, that's very, very scary. Because you know you gotta keep going - you're bombing, but you can't stop. And you know that half an hour from now, you're still gonna be bombing. It takes a thick skin.
Bombing is a very dangerous option because it's so convenient and because at home it's politically acceptable because our boys aren't dying on the ground, it gets us into tremendous trouble, which, of course, in general is true of bombing.
It all went back to problems we had talked about before, you know, such as the British not believing in formation bombing and not believing in daytime bombing.
The first suicide bombing that entered my consciousness was the Beirut embassy bombing. It was very personal. I'd been in the embassy and I knew most of the people in the station who were killed in the bombing. So you take the personal aspect of it and the mystery of who the bomber was and the fact that a small group of people could drive us out of a country that was absolutely key to the United States, and what was behind this... The fact that they've been able to hide the embassy bombers' identities for all these years tells me we're up against a very capable movement.
Bombing teaches you how badly you want to become a comedian. Because unless it's a burning desire, you'll quit when the consistent bombing becomes too much to take.
There was an assumption that aerial bombing of civilians in World War II would cause fragile, working-class people to basically have nervous breakdowns and it would paralyze the state. That was the logic of aerial bombing. In fact, it doesn't happen at all, but the logic behind aerial bombing has never stopped, even though it never demoralizes, terrorizes, or paralyzes a population.
I really believe that carpet-bombing, bombing civilian populations, is a form of terror - it's state terror as opposed to vigilante terrorism.
Every chance at destabilizing [Bashar] Assad... the bombing campaign causes a flood of refugees into Jordan, there's already half a million in Jordan. I think a bombing campaign - I think it's hard to argue that a U.S. bombing campaign is going to cause less refugees. And I think it causes more refugees and more of a humanitarian disaster. I think it causes, or allows, the risk of Israel being attacked with a gas attack to go up, if we attack Assad. So there's all kinds of bad things.
I was just so nervous every time I was onstage. It took me many, many years to get to the point where I realized, 'All right, if I'm going to keep doing this, I've gotta remember that it's supposed to be fun. I've gotta stop putting so much pressure on myself, because otherwise, it's not worth it.' And I still am too critical of myself.
The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
Bombing is not especially inhumane. War itself is inhumane and the bombing plane, which is used to paralyse industry and transport, is a relatively civilised weapon. 'Normal' or 'legitimate' warfare is just as destructive of inanimate objects and enormously so of human lives.
Nixon at one point informs Kissinger . . . that he wanted bombing of Cambodia. And Kissinger loyally transmits the order to the Pentagon to carry out a massive bombing campaign in Cambodia. Anything that flies on anything that moves . . . genocide.
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
I didn't vote for Bush, and I'm not happy particularly that he's president. But I will say I'm impressed that he didn't start bombing Afghanistan the day after Sept. 11. The more time that passes without him bombing Afghanistan, the more I respect him.
I don't really know. I think the first test is when you're very little and you fart, and you laugh at it and so do your friends and family. I knew before I was funny I was very annoying so I have that covered. I think it was because I was not very good in school I used humor as a defense mechanism. When I started doing plays and stuff at school I decided that I was going to keep doing it until someone tells me to stop and get a real job.
The big rumor going around is, we may begin bombing Iraq. Or, as the White House calls it, Operation Keep Enron Off The Front Page.
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