A Quote by Christopher Wylie

When you talk to people in fashion, it's like, people wear clothes because it's who they are and what they like. It's as simple as that. It's just about creating a way of measuring that.
Just because you're wearing something that's like a gown or what have you, you should wear it like you can take your shoes off and put your feet up and what I realized is that most people I love fashion-wise, they wear clothes like that. An ease to it. I thought that was a nice tool.
I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.
It's just really important I think for fashion to be affordable, because everyone should have the opportunity to wear cute things and be happy and comfortable in what they are wearing. That's definitely how I like to shop and how I like to think about clothes and fashion.
It's about me doing me, about me being organic. I can't wear things and put on a front and say I like something when I don't. I won't wear something I wouldn't normally wear just for people to like it or for people to look at me like this or that in fashion.
There’s a side to me that likes to make clothes for everyday. But I also think of fashion as an escape. It’s like a dream. It shouldn’t always be practical and about real life. Sometimes you have to do a piece that has a bit more of a wow - almost like, "I don’t know who’s going to wear that. It’s almost too much." That’s a lot of what fashion is about. Even in an economy that isn’t strong and where it’s important to sell clothes, you have to make things that let people dream a little, you know?
I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.
Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.
I wear jeans and a T-shirt sometimes. I just like clothes - since the first time I can remember, like age ten or eleven; I was just obsessed with music and clothes. Just like a lot of people in England from my generation.
I really fell in love with the art of making clothes when I was dancing on tour. Creating my stage image through clothes was a blast. I discovered a total sense for what cool chicks and rockin' dudes like to wear. Total Skull is for those people. People that like to rock - total rock.
I like the concept of dressing people. I used to not care whether people bought the clothes or not, but I kind of like it now. I wouldn't label that commercialism; it's more like I do this work because I want people to wear it.
I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.
I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.
I like to be dressy casual. I wear jeans and nice sneakers. I wear nice clothes, but not super dressed up. I don't wear too much jewelry. I keep it simple and maybe wear just a little chain.
I like being a consumer. I'll do collabs with brands I like, only because I would like something free to wear. But I don't want people to dress like me, which is what you're asking when you create a brand. The fashion industry's just a super-duper headache.
Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.
If you have one article of clothing that's very expensive, you don't have to have the whole ensemble and look like a Christmas tree. To wear the clothes, to not let them wear you. And to really remember that clothes are beautiful. It's like are you gonna wear something that people say: "Oh that's a great blouse." Or are you gonna wear something that people say: "Oh you look great today.." .
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