A Quote by Christopher Wylie

Before my coming out, as it were, I was very much a private person. — © Christopher Wylie
Before my coming out, as it were, I was very much a private person.
To be very honest with you, there were two big factors: One was that we were initially coming out in that week before Thanksgiving where both Twilight 3D and Happy Feet 2 are coming out.
My father's a very private person. I mean a very private person. His life outside of basketball, he doesn't really share it with anybody.
I'm a very private person, not much of a party person. That's how I keep my sanity.
I had no idea where these kids at a small private college in the San Fernando Valley were coming from, why they were coming to hear me, or what they needed to know.
[At DuPont,] I was very fortunate that I worked under men who were very much interested in making discoveries and inventions. They were very much interested in what they were doing, and they left me alone. And I was able to experiment on my own, and I found this very stimulating. It appealed to the creative person in me.
If we were to expand Medicaid, for every uninsured person we would cover, we'd kick more than one person out of private insurance or remove their opportunity to get private insurance. We're going to have too many people in the cart rather than pulling the cart.
I'm a very private person. Very private. You know, I've lived my entire life in a fishbowl, so it was important for me to keep my personal life private because people can't talk about what they don't know.
I'm a very private person. I find it very daunting to have to give private parts of myself away to people, you know?
The idea that you waited for that particular issue to come out, but then you planned your TV viewing for the coming season, it was a completely different world. And I grew up in Fort Lauderdale, so there was a TV critic writing for the Miami Herald, Jack Anderson, that was very influential. Just to read, every morning, somebody who cared about TV as much as I did - they were an adult, and they were clearly being paid for it. That was an "a ha!" moment for me before I was even 10.
I'm very expressive, but I'm also a very private person. It is so hard to be private in the entertainment business.
I'm not really that private of a person. I live in a small town and I'm very neighborly. I go out to dinner just about four nights a week and sit and talk to people. I'm not that private, so it's not that strange to do an interview and try to share a little bit of your life.
I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
Like traditional upper class families, there are nannies and servants, and the children, you know, come in to say good-night before they go to bed. There's very little private time with the children in the early years. Actually, there's much more private time with the children in the 20s.
Starting the podcast was an experiment. I wouldn't say I was very private, but I was probably as private as the average person.
Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.
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