A Quote by Christopher Young
Film composers are the most prolific music makers on this planet, and most of us are, like, losing our minds if we're doing five or more movies in a year.
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Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful.
Most people choose movies that provide exactly what they expect, and tell them things they already know. Others are more curious. We are put on this planet only once, and to limit ourselves to the familiar is a crime against our minds.
When you're doing a film and the majority of the film is cast black, for me, it's most important to get people to view those movies as just movies, as just good movies. At the end of the day, regardless of the color of the cast, we're all doing the same thing in this business: trying to make a good film.
Ultimately, I'm not the most prolific person, but I've been doing this for a long time, and I keep on putting out music. The only thing that drives music is the people who are making it.
In movies, the composers and decision makers are different, so we don't come across classical songs often in films due to lack of interest. The decision makers are non-musical people, so one doesn't get to hear more classical songs in films.
I think most women these days can understand me juggling a career with being a mom because most of us do. I think I'm luckier than most because most women work nine to five and don't see their kids. I work six months a year or eight months a year.
I want young Indian composers to be able to do more than just film music. I want to give them the skills that will enable them to create their own palette of sounds instead of having to write formulaic music. It doesn't matter if they become sound engineers, producers, composers or performers - I want them to be as imaginative as they like.
Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.
A Separation is another film that I think is extraordinary, and one of those things that feels like it's from another planet, much like Terrence Malick's movies did: at a certain point, you feel like he's an alien from another planet telling us and looking at us and showing us how we are. I also really, really love Jerry McGuire.
People have their morals, but morals aren't concrete. People think because I'm a Muslim that I pray five times a day, but you're never going to see that on a day-to-day basis. People fluctuate. To me, that was the most specific way to put it, the best way to be like, "I listen to this music, but it's the most violent music on the planet." But I like it, and to make up for it, I don't say the cuss words. That's how I get away with it.
The structural thinking I use in the concert hall is unnecessary to most film projects, and most film composers make better use of the enormous range of pop and other materials and techniques required of them than I probably would, faced with the same challenge.
What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.
Are we simply waving farewell to the days when some of the most interesting thinking in Europe and America came to us from our fiction film-makers? BBC2, which once introduced and showed great films, now shows none.
And if I remain in the dark about our purpose here, and the meaning of eternity, I have nevertheless arrived at an understanding of a few more modest truths: Most of us fear death. Most of us yearn to comprehend how we got here, and why-- which is to say, most of us ache to know the love of our creator. And we will no doubt feel that ache, most of us, for as long as we happen to be alive.
The basic work schedule for me is whenever I'm not doing anything more important, like taking care of my kids or something. So, it's most of the day, five days a week, most evenings and sometimes on the weekends.
I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
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