A Quote by Christos Gage
Flawed characters... a ticking clock... morally questionable acts on all sides... moody, evocative art... oh yeah, this the stuff crime noir fans love!
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There are two clocks ticking in Iran. One is the democracy movement clock which is ticking now faster than it was but it's got a lot of catching up to do. And then there's the clock that's ticking towards a nuclear weaponry.
Like art, love, and pornography, noir is hard to define, but you know it when you see it. For the purposes of the book and my longtime working understanding and definition of it, noir stories are bleak, existential, alienated, pessimistic tales about losers--people who are so morally challenged that they cannot help but bring about their own ruin.
Yeah, we've become really good friends. Our characters start dating in the book, and um, yeah, I think we - and we made up little back stories to our characters and little outtakes that we'd bring up to Edgar as a joke, and you know, kind of see different sides of stuff. So yeah, we have a really good time.
There's a clock ticking on the pregnancy thing, but not a clock ticking on adoption.
I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
I'm always interested in what classic crime writers got into when they stepped away from the genre stuff they were known for. That's why 'Mildred Pierce' is like noir without any real crime.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
When I first started writing the books in the 1980s, all of the female detectives were flawed in some way because they were based on noir characters.
I think it's interesting playing characters who are flawed and make mistakes because we all have - no one's just one thing - no one is just bad or just good - so I like finding flawed characters and playing with their redeeming qualities, whether you play it outwardly or not. I think that one of the reasons I'm an actor is that I love people and I love finding out who they are and why they do the things they do, so it is fun to play those kinds of characters.
I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
I grew up on the crime stuff. Spillane, Chandler, Jim Thompson, and noir movies like Fuller, Orson Welles, Fritz Lang. When I first showed up in New York to write comics back in the late 1970s, I came with a bunch of crime stories but everybody just wanted men in tights.
I'm an actor, and I want to play flawed characters, and I'm a writer that wants to write flawed characters, trying to let something out and hoping people relate through that or have fun experiencing the story.
Oh yeah, I love Peter Gabriel's stuff. I mean, I even have the Genesis records. He's incredible.
I tend to always love material with flawed protagonists and morally ambiguous people.
I think the main problem people have getting older, whether they know it or not, is that you're closer to dying. And we may fixate on not wanting to look a certain way, but it really is just the clock ticking, that it means, "Oh, I am not immortal!".
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