A Quote by Christy Mathewson

I always tried to learn about the hitters. Anytime someone got a hit off me, I made a mental note of the pitch. He'd never see that one again. — © Christy Mathewson
I always tried to learn about the hitters. Anytime someone got a hit off me, I made a mental note of the pitch. He'd never see that one again.
That's one thing I learned from watching great hitters hit. A lot of hitters, they're ready to hit from pitch one.
My family were hitters. If you made them laugh, they didn't hit you. My dad wouldn't hit me if I got him with humor right between the eyes.
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
Like some cult religion that barely survives, there has always been at least one but rarely more than five or six devotees throwing the knuckleball in the big leagues . . . Not only can't pitchers control it, hitters can't hit it, catchers can't catch it, coaches can't coach it and most pitchers can't learn it. The perfect pitch.
There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge.
Spin rate itself doesn't make a pitch harder to hit. It just makes it further from what the hitters are used to seeing. It takes a pitch further away from average.
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!
If you don't take no chances, then you're not a performer. Performers always take chances. You go see a singer, they'll hit the high note. They'll hit that note, they're not afraid, they're gonna exaggerate the fact and make me enjoy it, make me say, 'Wow, I wish I could do that!'
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
Early on, I tried to sing, but sustaining a note was something I wasn't comfortable with. So I tried to get off of the note as soon as I could.
I know, and know of, people who said they have taken a hit of crack and never tried it again. I overheard one woman in LA say she took one hit and it mad her feel so good, she was afraid to try it again. I am not a doctor, but I do believe that if one is predisposed to addiction, taking one hit may be all it takes. Certainly that is how it worked out for me.
But the guy who got hit and still tried to get in line, then gets hit again, that's the guy I will take with me on the field every day.
As a youngster, that's how it was: you tried to express yourself out on the pitch as much as you can. Maybe I stopped trying things when I got into the first team, but now I'm more comfortable and doing things off the cuff again.
What I got out of baseball is what I have today, and I've got to look at that. I still see some of my friends that never made it past Triple-A. I made that last big step. I was lucky. I'm in love with my land. I got it all from playing ball. It gives me prestige. Someone says, 'What you got?' I say, 'One hundred and twenty-one acres of nice land.'
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
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