A Quote by Christy Moore
Forty years ago, my life in music was substantially different to today. I went out every night with my guitar seeking a place to sing, a floor on which to lie, some love, some food, a lot of wine. There was no business, no gigs, no questions, no P.R., recording, life was simpler, I was poor and young and hungry. Today I am a lot more focused on The Song.
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I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
Yes, business really does change. 400 years ago, corporations were formed by royal decree. 300 years ago, many countries were powered by slave labour, or its closest moral equivalent. 200 years ago, debtors didn't go bankrupt, they went to prison. 100 years ago - well, business is largely the same as it was a century ago. And that's exactly the problem. Business hasn't changed, but today's array of tectonic global shocks demands a different, radically better kind of business. Yesterday's corporations visibly cannot meet today's economic challenges.
When today's generation reads Jack's books or they listen to the music created by some of us, I believe that they see there is a different way of approaching today's life and today's sometimes seeming hopelessness that can provide answers.
Today's recording techniques would have been regarded as science fiction forty years ago.
The music business has changed so much. Collaborations are all over the Internet. The young people are keeping the old school alive. A lot of them run out of ideas so they grab these songs that we've had out for 50 years and bringing them back and making people rich again. That's a nice thing. A lot of artists don't have incomes after a certain time in their life because nobody's is buying the songs. This revival of their music has taken a lot of writers out of the poor house.
I feel some allegiance to pushing electric-guitar music into a different realm, somewhere that isn't retrospective. There's a lot of guitar bands that are a tribute to the 1970s or the Nineties. I want to experiment with guitar music more.
I have experienced a lot in my life - some good, some bad - but all of those experiences make up the man I am today.
Think about the strangeness of today's situation. Thirty, forty years ago, we were still debating about what the future will be: communist, fascist, capitalist, whatever. Today, nobody even debates these issues. We all silently accept global capitalism is here to stay. On the other hand, we are obsessed with cosmic catastrophes: the whole life on earth disintegrating, because of some virus, because of an asteroid hitting the earth, and so on. So the paradox is, that it's much easier to imagine the end of all life on earth than a much more modest radical change in capitalism.
I've been studying how quickly we can get energy out to the poor countries - a lot of which are in Africa - and how little progress we've made there. There's no more electricity today in sub-Saharan Africa per person than there was 20 years ago.
From a personal perspective, I am disappointed that we have yet to really achieve a full understanding of the origins of life on Earth. What was the spark that, billions of years ago, kickstarted the process of evolution that has brought us life as we know it today? I hope that we will get some answers to that in my lifetime.
A lot of people can have a lot of different influences, everyone can be compared in some way to someone whether they are from 60 years ago or more recent.
I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.
It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
I'd like to describe a sort of life 20 years ago as being a fried egg. There was a yolk and a white and the white was maybe work, and the yolk was life. Today, it's more of an omelet. It's more mixed and it's more interspersed and I think that that's a more interesting state of being and for some people, they'll say well I want the crisp, fried egg approach to life.
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