A Quote by Chubby Checker
I was 17 or 18 when 'The Twist' came along, and the rest is history. Sometimes I regret it. I would have gotten more into acting. I would have been more of a legitimate performer onstage like Liza Minnelli. But I got so caught up in the dance thing that I never got into theater.
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Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
As things have progressed and I've gotten older, I've gotten more and more involved on the producing side. It's been a natural progression. The more you become exposed in a particular medium, the more you can bring to the table and people start trusting you. You're valued a little bit more, so you have more of a voice. It's something I would like to do, through the rest of my career.
In high school, I got picked on. It's funny that I got tormented for what I'm doing now - the acting thing. People would see me in a Nickelodeon commercial, and I would hear about it the next day at school. Kids would say, 'Hi, TV Boy.' They heckled. I never got beat up.
I got arrested once on stage in Memphis for looking too much like Liza Minnelli.
Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
Acting was something I did growing up. I never it took it too seriously; it was just one of those things I got into high school and was like, 'Nah, I don't want to continue acting.' Cause I got into it professionally by local theater, and from there, I just decided to do sports and be more a high school kid and have my fun.
My family was, I think, a bit more radical than most Mormons, especially on the question of gender. So in my mind, growing up, there wasn't ever any question of what my future would look like. I would get married when I was 17 or 18. And I would be given some corner of the farm, and my husband would put a house on it, and we would have kids.
I gave it up three weeks before my black belt, foolishly. I got to my third brown belt and must have trained for 18 months but never went for it. I was nearly 18 and got this thing in my head about, ' Who are they to grade me?' Trying to be a rebel when I should have done it. It's my only regret, not going for a black belt.
I was desperate to do more TV and film. Because I considered myself to be a theater creature. A theater animal. I was convinced that I was going to be onstage for the rest of my life. Because it's something I can really do. I thought I was pretty good at it, and it's kind of stupid, but I was concerned that people would go, "Oh yeah, he's very good onstage, I'm not sure he can do television."
I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.
I actually got started in acting when I was in pre-school. I was really into dance and performing, so my mom had me in dance classes, and then I got involved in a local theater company.
I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
I was incredibly stubborn. I mean, I believe that my father was frequently in the right, but I would never admit it, and so we did have a few set-tos on various topics; but on the whole as I got older and my father got more mature we got along reasonably well.
Every sandwich I sold, the city got more sales tax, the state got more. But they came in and they would want to give me a ticket because I have a sign outside trying to get more business, right?
They killed my character off and as God would have it, just when they told me I would never work again, I got cast in a little program called Roots, and as they would say, the rest is history.
It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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