A Quote by Chuck Berry

Back in the class room, open your books, keep up, the teacher don't know how mean she looks. — © Chuck Berry
Back in the class room, open your books, keep up, the teacher don't know how mean she looks.
Think of your favorite teacher you ever had in school: the one who made it the most fun to go to class. They surprise you. They keep you guessing. They keep you coming back, wanting to know what's going to happen next.
Think of your favorite teacher you ever had in school: the one who made it the most fun to go to class. They surprise you. They keep you guessing. They keep you coming back, wanting to know whats going to happen next.
When I was a freshman at Yale, one teacher brought me up after class and said, 'You're trying to undermine my class.' And I thought to myself, 'Oh my God, I'm going to be kicked out of school on the first week.' Not only do I not have a sense of self, I don't even know what she's talking about. I don't even know how to undermine anything.
How does it feel, anyway?" How does what feel?" When you take one of those books?" At that moment, she chose to keep still. If he wants an answer, he'd have to come back, and he did. "Well?" he asked, but again, it was the boy who replied, before Liesel could even open her mouth. It feels good, doesn't it? To steal something back.
You know, master classes are essentially extended Q&As. That's how I always approach them. I don't mean to downplay it. It's just that I never fancy myself as someone who is taking a class. 'Master class' insinuates a teacher, and I'm not one.
I keep my ears open. The world can change overnight; that's what happens in this world. You never know. You have to keep your eyes and ears open. If you can't keep up, you ain't gonna catch up. I've been making records since 1953, and you just have to keep up.
The library in summer is the most wonderful thing because there you get books on any subject and read them each for only as long as they hold your interest, abandoning any that don't, halfway or a quarter of the way through if you like, and store up all that knowledge in the happy corners of your mind for your own self and not to show off how much you know or spit it back at your teacher on a test paper.
She looks up at me with those vulnerable eyes. “What if it means something?” She asks. “What if it does?” “Promise me it won’t mean anything.” I lean my head back on the couch. “It won’t mean anythin’.” Aren’t I supposed to be the guy in this scenario, laying down the no-commitment rules? “And no tongue,” she adds. “Mi vida, if I kiss you, I guarantee there’s gonna be tongue.
I'm amazed now whenever I go back to London. I'm like, 'Wow. I used to kind of swing up these streets when I knew how this machine worked.' And then when you don't, you lose that. You need to get your license back. I do know how to plant a garden and keep chickens, but I don't know how to do much else.
I know what it's like to be so distracted by your surroundings and in the moment that it's seemingly impossible to not get caught up in 'em. I know what it's like to feel so much smaller than the activities of your environment that you can't see how not to succumb to 'em. I know what it's like to not be able to focus in class due to real life hunger pangs. I know what it's like to be disruptive just to pass the time and take your mind off what's lacking at home. I know what it's like to be laughed at by your teacher when you tell them what you hope to be in life.
You know, there's a thing about the woman across the room. You see the woman across the room, you think, She's so poised; she's so together. But she looks at you and you are the woman across the room for her.
After all, this is how you learned how to walk. You didn't just jump up from your crib one day and waltz gracefully across the room. You stumbled and fell on your face and got up and tried again. At what age are you suddenly expected to know everything and never make any more mistakes? If you can love and respect yourself in failure, worlds of adventure and new experiences will open up before you, and your fears will vanish.
He looks at me, and I don't know what he sees. I used to think it was Rose. But she's not here with us now, in this room. It's just him and me, and the books. I feel like our lives are in those books. I feel like all the words on the pages are for us.
There are the class clowns that are disruptive and the kids laugh and you earn the teacher's disdain, I was the kind of class clown that also cracked the teacher up. I was funny in a way that was not dissing the teacher; I was funny just to be funny.
My family was going back to England to visit my mother's grandmother, who was very ill. We went up to Liverpool and I met my great-aunt, who was just a force of nature. She was an elocution teacher and a huge enthusiast for theater and the classics. I took her amateur acting class, and she was really impressed with me.
You know how you're in elementary school and the teacher goes around the room and, like, 'What do you want to be when you grow up?' I said, 'NBA player.' And she's like, 'Well, OK. Maybe pick a real job.' But I really believed it. I felt like I was meant to be here.
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