A Quote by Chuck Close

Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important. — © Chuck Close
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
[Cindy Sherman's] photographs reverse the terms of art and autobiography. They use art not to reveal the artist's true self but to show the self as an imaginary construct. There is no real Cindy Sherman in these photographs; there are only the guises she assumes. And she does not create these guises; she simply chooses them in the way that any of us do.
Cindy McCain has emerged as a definite hottie. I think that sometimes happens to women in their early fifties.
When I was around 12, my heroes were Cindy Sherman and Bob Dylan and Samuel Westing from the kids' novel 'The Westing Game'.
I think that what most artists are trying to do is trying to understand. I think what distinguishes creative people and/or artists from another type of person is perhaps a willingness to go headlong into that uncertainty.
Her mother, Laurie Simmons, is a contemporary artist, and my stepmother, Cindy Sherman, is a photographer, so they've known each other forever. Lena and I were often at the same dinner parties when we were kids.
Claude Cahun is a fascinating artist - one of the few women to be part of the surrealist movement, she and her partner Suzanne Malherbe took on men's names and made artworks that investigated female identity long before 'The Second Sex' or Cindy Sherman.
I think the immigration thing has really stuck to Marco Rubio. He was on the wrong side of what`s emerged as probably the most important issue for the conservative base.
I think that’s a mistake if [Aaron Rodgers] does not throw at [Richard Sherman]. Now, he doesn’t have to make it personal vendetta against him because I’m sure all year, all he’s heard is how he did not throw on Richard Sherman.
I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
The reasons that drive me to write are many and the most important are the most secret, I think. Perhaps most of all this: to put something out of death's reach.
I think perhaps I've learned to be myself. I have a theory that all artists who would be important - painters and writers - must learn to be themselves. It takes a very long time.
Back in the early days of my political career, I was called Socialist Cindy. I just hate the nickname Cindy.
My youngest sister, Cindy, has Down syndrome, and I remember my mother spending hours and hours with her, teaching her to tie her shoelaces on her own, drilling multiplication tables with Cindy, practicing piano every day with her. No one expected Cindy to get a Ph.D.! But my mom wanted her to be the best she could be, within her limits.
For me, I feel like the most important part of music is the storytelling behind it, and that's my favorite; that's what makes my favorite artists my favorite artists, having the story that I relate to the most and that helps me the most.
I'm still very interested in the things that happened in the '80s and the '70s because I think that they were very important years for Nigeria. In the '80s, we were under a military dictatorship for quite a while, and I think that the way we engage with our country as citizens was shaped in many ways by the events that took place in that time.
Diane Arbus is one of the most mysterious, enigmatic, and frighteningly daring artists of the 20th century. Her work emerged from a deeply private place and profoundly affected all those who came into contact with it.
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