A Quote by Chuck Close
There are so many artists that are dyslexic or learning disabled, it's just phenomenal. There's also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.
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My Daddy was left-handed, and I was left-handed when I was little. In fact, I was left-handed all the way to high school. Then I switched over to right-handed cause I wanted to play shortstop.
I feel like that I'm learning all the time. I'm learning from new artists, from established artists... every time I listen to '70s rock 'n' roll records, I'm learning. And I think that I'm just now starting to get a hold on what I do.
I attended the High School of Industrial Arts and studied with many great artists as painting is something that you never stop learning about. Actually, in high school there was a time that I was thinking about just concentrating on painting and I asked my music teacher, Mr. Sondberg, for advice and he encouraged me to stick with the music as well. So all my life I have been singing and painting.
I'm left-handed, and it's not very easy to find reasonably priced, high-quality left-handed guitars. But out of all the guitars in the whole world, the Fender Mustang is my favorite. I've only owned two of them.
While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'
You know, the same percentage of people are gay and lesbian as are left-handed. Let's try to figure that out. How can it be that a left-handed person can get married to another left-handed person. Left-handed people can do anything they want. . . . I say, give homosexuals the same rights we give left-handed people.
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and curators who are simply not up to the term.
My own belief is that being gay is a regularly occurring nonpathological minority variant in the human condition, and that an appropriate analogy is left-handedness, which also, as it happens, used to be regarded as some sort of defect in a normatively right-handed humanity.
High school was interesting. For a lot of people, high school was just a big social experiment, and I think the value of high school was not so much learning how to be a great student... but I think it's learning how to interact with people and be social. I would say that in that endeavor, I completely failed.
It was good I left Brighton on a high, like I left Palace on a high but whether Carlisle to Rochdale or Brighton to Palace, as soon as I left that chapter was closed.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
The proper aim of education is to promote significant learning. Significant learning entails development. Development means successively asking broader and deeper questions of the relationship between oneself and the world. This is as true for first graders as graduate students, for fledging artists as graying accountants.
My parents lovingly passed down the lessons of their lives so that my sister, Jana, and I may also teach our children the foundational principles of a life well lived. There was something else my father passed on, quite unintentionally, I'm sure: learning disabilities. My father is dyslexic, and so am I.
I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.
Artists working for other artists is all about knowing, learning, unlearning, initiating long-term artistic dialogues, making connections, creating covens, and getting temporary shelter from the storm.
I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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